The Hand in the Dark

by Arthur J. Rees

"I suppose the collection is a very fine and varied one?" observed Sir Philip.

"Undoubtedly. The committee have had the advice of the best experts in London, who have given much time to grading the pearls for the different necklaces. In an ordinary way it takes a long while—sometimes years—to match the pearls for a faultless necklace, but in this case the experts have had such a variety brought to their hands that their task has been comparatively easy. But in spite of the skilful manner in which the necklaces have been graded, it is even now a simple matter for the trained eye to identify a number of the individual pearls. The largest, a white pearl of pear shape, weighing 72 grains, would be recognized by any expert anywhere. There are several other pearls over thirty grains which the trained eye would recognize with equal ease in any setting. The few pink and black pearls are all known to collectors, and it is the same with the clasps. One diamond and ruby clasp is as well-known in jewel history as the State Crown. The diamonds are in the form of a Maltese Cross, set in a circle of rubies."

"That must have been the gift of the Duchess of Welburton," remarked Sir Philip. "She inherited it from her great aunt, Adelina, wife of the third duke. There was a famous pearl necklace attached to the clasp once, but it disappeared about ten years ago at a ball given by the German Ambassador, Prince Litzovny. I remember there was a lot of talk about it at the time, but the necklace was never recovered. The clasp, too, has a remarkable history."

"All great jewels have," said Musard. "In fact, all noteworthy stones have dual histories. Their career as cut and polished gems is only the second part. Infinitely more interesting is the hidden history of each great jewel, from the discovery of the rough stone to the period when it reaches the hands of the lapidary, to be polished and cut for a drawing-room existence. What a record of intrigue and knavery, stabbings and poisonings, connected with some of the greatest jewels in the British Crown—the Black Prince's ruby, for example!"

Musard gazed thoughtfully at the great ruby on his own finger as he ceased speaking. The guests had finished dinner, and Miss Heredith, with a watchful eye on the big carved clock which swung a sedate pendulum by the fireplace, beckoned Tufnell to her and directed him to serve coffee and liqueurs at table.

"What is your favourite stone, Mr. Musard?" said a bright-eyed girl sitting near him, after coffee had been served.

"Personally I have a weakness for the ruby," replied Musard. "Its intrinsic value has been greatly discounted in these days of synthetic stones, but it is still my favourite, largely, I suppose, because a perfect natural ruby is so difficult to find. I remember once journeying three thousand miles up the Amazon in search of a ruby reputed to be as large as a pigeon's egg. But it did not exist—it was a myth."

"What a life yours has been!" said the girl. "How different from the humdrum existence of us stay-at-homes! How I should like to hear some of your adventures. They must be thrilling."

"If you want to hear a real thrilling adventure, Miss Finch, you should get Mr. Musard to tell you how he came by that ruby he is wearing," said Phil Heredith, joining in the conversation.

The eyes of all the guests were directed to the ring which Musard was wearing on the little finger of his left hand. The stone in the plain gold setting was an unusually large one, nearly an inch in length. The stone had been polished, not cut, and glowed rather than sparkled with a deep rich red—the true "pigeon's-blood" tint so admired by connoisseurs.