The Shrieking Pit

by Arthur J. Rees

"He who would Old England win,
Must at the Leyland Hoop begin."

After traversing a mile or so of open country, and passing through one or two scattered villages, they turned back to the coast again on the other side of a high green headland which marked the end of the prohibited area, and, crossing the bridge of a shallow muddy river, found themselves in the area of the marshes.

It was a region of swamps and stagnant dykes, of tussock land and wet flats, with scarcely a stir of life in any part of it, and nothing to take the eye except a stone cottage here and there.

The marshes stretched from the road to the sea, nearly a mile away. Man had almost given up the task of attempting to wrest a living from this inhospitable region. The boat channels which threaded the ooze were choked with weed and covered with green slime from long disuse, the little stone quays were thick with moss, the rotting planks of a broken fishing boat were foul with the encrustations of long years, the stone cottages by the roadside seemed deserted. Here and there the marshes had encroached upon the far side of the road, creeping half a mile or more farther inland, destroying the wholesome earth like rust corroding steel, and stretching slimy tentacles towards the farmlands on the rise.

Humanity had retreated from the inroads of the sea only after a stubborn fight. The ruins of an Augustinian priory, a crumbling fragment of a Norman tower, the mouldering remnant of a castellated hall, showed how prolonged had been the struggle with the elements of Nature before Man had acknowledged his defeat and retreated, leaving hostages behind him. And—significant indication of the bitterness of the fight—it was to be noted that, while the builders of a bygone generation had built to face the sea, the handful of their successors who still kept up the losing fight had built their beach-stone cottages with sturdy stone backs to the road, for the greater protection of the inmates from the fierce winter gales which swept across the marshes from the North Sea.

The car had travelled some miles through this desolate region when the chief constable directed Colwyn's attention to a spire rising from the flats a mile or so away, and said it was the church of Flegne-next-sea. Colwyn increased his speed a little, and in a few minutes the car had reached the outskirts of the little hamlet, which consisted of a straggling row of beach-stone cottages, a few gaunt farm-houses on the rise, and a cruciform church standing back from the village on a little hill, with high turret or beacon lights which had warned the North Sea mariners of a former generation of the dangers of that treacherous coast.

In times past Flegne-next-sea—pronounced "Fly" by the natives, "Fleen" by etymologists, and "Flegney" by the rare intrusive Cockney—had doubtless been a prosperous little port, but the encroaching sea had long since killed its trade, scattered its inhabitants, and reduced it to a spectre of human habitation compelled to keep the scene of its former activities after life had departed. Half the stone cottages were untenanted, with broken windows, flapping doors, and gardens overgrown with rank marsh weeds. The road through the village had fallen into disrepair, and oozed beneath the weight of the car, a few boards thrown higgledy-piggledy across in places representing the local effort to preserve the roadway from the invading marshes. The little canal quay—a wooden one—was a tangle of rotting boards and loose piles, and the stagnant green water of the shallow canal was abandoned to a few grey geese, which honked angrily at the passing car. There was no sign of life in the village street, and no sound except the autumn wind moaning across the marshes and the boom of the distant sea against the breakwater.

"There's the inn—straight in front," said Police-Constable Queensmead, pointing to it.

The Golden Anchor inn must have been built in the days of Sir Cloudesley Shovel, for nothing remained of the maritime prosperity which had originally bestowed the name upon the building. It was of rough stone, coloured a dirty white, with two queer circular windows high up in the wall on one side, the other side resting on a little, round-shouldered hill. It was built facing away from the sea like the beach-stone cottages, from which it was separated by a patch of common. From the rear of the inn the marshes stretched in unbroken monotony to the line of leaping white sea dashing sullenly against the breakwater wall, and ran for miles north and south in a desolate uniformity, still and grey as the sky above, devoid of life except for a few migrant birds feeding in the salt creeks or winging their way seaward in strong, silent flight. The rays of the afternoon sun, momentarily piercing the thick clouds, fell on the white wall and round glazed windows of the inn, giving it a sinister resemblance to a dead face.

Colwyn brought his car to a standstill on the edge of the saturated strip of common.