The Shrieking Pit

by Arthur J. Rees

"It is not that, sir. She is——" He broke off abruptly, and knocked at the door.

After a few moments' pause there was the sound of somebody within turning a key in the lock, then the door was opened by a young girl, who, at the sight of the visitors, walked hurriedly across to a bedstead at the far end of the room, on which something grey was moving, and stood in front of it as though she would guard the occupant of the bed from the intruding eyes of strangers.

"It's all right, Peggy," said the innkeeper. "We shall not be here long. My daughter is afraid you will disturb her grandmother," he said turning to the gentlemen. "My mother is——" A motion of his finger towards his forehead completed the sentence more significantly than words.

The figure on the bed in the corner was in the shadow, but they could make it out to be that of an old and shrivelled woman in a grey flannel nightdress, who was sitting up in bed, swinging backward and forward, holding some object in her arms, clasped tightly to her breast, while her small dark eyes, deepset under furrowed brows, gazed at the visitors with the unmeaning stare of an animal.

But Colwyn's eyes were drawn to the girl at the bedside. She was beautiful, of a type sufficiently rare to attract attention anywhere. Her delicate profile and dainty grace shone in the shadow of the sordid room like an exquisite picture. He was aware of a skin of transparent whiteness, a wistful sensitive mouth, a pair of wonderful eyes with the green-grey colour of the sea in their depths, and a crown of red-gold hair. She was poorly, almost shabbily, dressed, but the crude cheap garbing of a country dressmaker was unable to mar the graceful outlines of her slim young figure. But it was the impassivity of the face and detachment of attitude which chained Colwyn's attention and stimulated his intellectual curiosity. The human face is usually an index to the owner's character, but this girl's face was a mask which revealed nothing. The features might have been marble for anything they displayed, as she stood by the bedside regarding with grave inscrutable eyes the group of men in the doorway. There was something pathetic in the contrast between her grace and beauty and stillness and the uncouth gestures and meaningless stare of the old woman in the bed behind her.

The old woman, moving from side to side with the unhappy restlessness which characterises the insane, dropped over the side of the bed the object she had been nursing in her arms, and looked at the girl with the dumb entreaty of an animal. The girl stooped down by the side of the bed, picked up the fallen article, and restored it to the mad woman. It was a doll.

Mr. Cromering, who saw the action and the article, flushed like a man who had seen something which should be kept secret, and turned to leave the room. The others followed, and immediately afterwards they heard the door closed after them, and the key turned in the lock.

Superintendent Galloway, who had more of the inquiring turn of mind of the police official than the chief constable, asked the innkeeper several questions about his mother and her condition. The innkeeper said her insanity was the outcome of an accident which had happened two years before. She was sitting dozing by the kitchen fire when a large boiler of water overturned, scalding her terribly, and the shock and pain had sent her mad. She had never left the bedroom since, and had gradually become reduced to a condition of imbecility, alternated by occasional outbursts of violence.

"Is she ever allowed out of the room?" asked Superintendent Galloway quickly, as though a sudden thought had struck him.

"Never, sir; she never tries to get out of bed except when she's violent. She will sit there for hours, playing with a doll, but when she has her paroxysms she runs round and round the room, crying out as you heard her just now, and throwing the things about. Did you notice, sir, that there was no glassware in the room? She has tried to injure herself with glass and crockery in her violent fits."