Zak’s “Shepherd” is also Post-Impressionistic, romantic in feeling like Cardoza’s, but of deeper human significance. The utter loneliness of the shepherd’s life, the monotony of its outlook, the note of resignation, are all as subtly indicated
CHARMY
Landscape
as are any of the human qualities in Millet’s pictures of peasant life; yet in technic and composition the picture is essentially Post-Impressionistic, a decorative and musical work of the creative imagination. One would not be far astray in classing it with the poetic work of Arthur Davies.
XIII
SCULPTURE
DEVELOPMENTS in sculpture do not always parallel those in painting.
In comparison painting is so facile that it lends itself easily to experiments, responds quickly to moods and fancies. In short, painting is more susceptible—more volatile.