[22] “Revolution in Art,” by Frank Rutter, 32-33. Now that the great Swedish dramatist, and pessimist, is becoming known to the English-speaking world, these words of Gauguin’s are singularly interesting—and just.
[23] See “Paul Gauguin,” by Armand Seguin, “L’Occident,” March, April, and May, 1903.
[24] “Souvenirs of Paul Cézanne,” by Emile Bernard, p. 36.
[25] See “Laws of Japanese Painting,” Henry P. Bowie, by long odds the best book in English on the subject.
[26] See “La Jeune Peinture Française,” pas. André Salmon, pp. 18, 19.
[27] “La Jeune Peinture Française,” André Salmon, p. 19.
[28] From an article and interview by C. T. MacChesney, printed in the “New York Times,” March 9, 1913.
[29] See “Le Jeune Peinture Française,” André Salmon, 1912.
[30] “Der Blaue Reiter,” p. 5.
[31] See “Der Blaue Reiter,” pp. 17, 18.