[52] It should be stated that the brilliant colors of the original are very inadequately shown in the reproduction for the reason the painting is so large it does not reproduce well so small.
[53] “The History of Music,” Emil Nauman, Vol. 1, p. 7 et seq.
[54] See “Sensations of Tone,” Helmholtz, Eng., Edit., p. 258.
[55] Helmholtz, p. 258.
[56] Ibid., p. 265.
[57] For a scientific investigation of Siamese and Japanese scales, see additions to English edition of Helmholtz, “Sensation of Tone,” p. 556.
[58] “History of Music,” Nauman, Vol. I, p. 10.
[59] Ibid., Vol. I, p. 12.
[60] By Mr. A. W. Rimington, Professor of Fine Arts at Queen’s College, London. See his book, “Color Music.”
[61] “On the Laws of Japanese Painting,” by Bowie, p. 55.