During the long summer afternoon we sped onward through this beautiful valley. Far down on the tracks below trains would go scurrying by; now and then a slow freight would challenge our competition; trainmen would look up curiously; occasionally an engineer would sound a note of defiance or a blast of victory with his whistle.
The distant river followed lazily along, winding hither and thither through the lowland, now skirting the base of the hills, now bending far to the other side as if resentful of such rude obstructions to its once impetuous will.
Far across on the distant slopes we could see the cattle grazing, and farther still tiny specks that were human beings like ourselves moving upon the landscape. Nature's slightest effort dwarfs man's mightiest achievements. That great railroad with its many tracks and rushing trains seemed a child's plaything,—a noisy, whirring, mechanical toy beside the lazy river; for did not that placid, murmuring, meandering stream in days gone by hollow out this valley? did not nature in moments of play rear those hills and carve out those distant mountains? Compared with these traces of giant handiwork, what are the works of man? just little putterings for our own convenience, just little utilizations of waste energies for our own purposes.
One should view nature with the setting sun. It may gratify a bustling curiosity to see nature at her toilet, but that is the part of a "Peeping Tom."
The hour of sunrise is the hour for work, it is the hour when every living thing feels the impulse to do something. The birds do not fly to the tree-tops to view the morning sun, the animals do not rush forth from their lairs to watch the landscape lighten with the morning's glow; no, all nature is refreshed and eager to be doing, not seeing; acting, not thinking. Man is no exception to this all-embracing rule; his innate being protests against idleness; the most secret cells of his organization are charged to overflowing with energy and demand relief in work.
Morning is not the hour for contemplation; but when evening comes, as the sun sinks towards the west, and lengthening shadows make it seem as if all nature were stretching herself in repose, then do we love to rest and contemplate the rich loveliness of the earth and the infinite tenderness of the heavens. Every harsh line, every glare of light, every crude tone has disappeared. We stroke nature and she purrs. We sink at our ease in a bed of moss and nature nestles at our side; we linger beside the silvery brook and it sings to us; we listen attentively to the murmuring trees and they whisper to us; we gaze upon the frowning hills and they smile upon us. And by and by as the shadows deepen all outlines are lost, and we see vaguely the great masses of tone and color; nature becomes heroic; the petty is dissolved; the insignificant is lost; hills and trees and streams are blended in one mighty composition, in the presence of which all but the impalpable soul of man is as nothing.
We left Schenectady at nine o'clock, taking the Troy road as far as Latham's Corners, then to the right into Albany.
We reached the city at half-past ten. Albany is not a convenient place for automobiles. There are no special stations for the storing of machines, and the stables are most inaccessible on account of the hills and steep approaches.
CHAPTER ELEVEN THE VALLEY OF LEBANON THE SICK TURKEY
It was four o'clock, next day, when we left Albany, going down Green Street and crossing the long bridge, taking the straight road over the ridges for Pittsfield.