[84] Morier says Le Bruyn has exaggerated the mutilation. A Journey through Persia, by James Morier (London, 1812; referred to as First Journey), p. 134. Elsewhere he says the faces of all the figures to the right are mutilated; Second Journey, p. 76.

[85] In Porter’s drawing this personage appears at the other end of the row. Cf. Plates, Niebuhr, ii. 120, and Porter, Travels in Georgia, i. 670.

[86] Niebuhr, ii. 117.

[87] Niebuhr, ib. p. 111.

[88] P. 125.

[89] Supra, [pp. 71], [73].

[90] Niebuhr, ib. p. 112.

[91] Ib. p. 113.

[92] This, as we have noticed, had been already done by Flower.

[93] P. 117. Professor Sayce makes the obvious remark that another easy way of settling this point is the consideration ‘that the ends of all the lines were exactly underneath each other on the left side, whereas they terminated irregularly on the right.’ Fresh Lights from the Monuments, by A. H. Sayce (1890), p. 10.