The priest held up both his hands, the diary states, "as if there were something between them. But there is a sort of cloud or dimness over this object, whatever it may be. My poor Aunt Kathie suffered much from her eyes in her old age."
* * * * *
One can guess what the priest of St. Lambart carried in his hands when he and the little children went out into the hot sunlight to implore mercy, while the great resounding bell of St. Lambart boomed over the plain. Karl Heinz knew what happened then; they said that it was he who killed the old priest and helped to crucify the little child against the church door. The baby was only three years old. He died calling piteously for "mummy" and "daddy."
* * * * *
And those who will may guess what Karl Heinz saw when the mist cleared from before the monstrance in the priest's hands. Then he shrieked and died.
The Dazzling Light
The new head-covering is made of heavy steel, which has been specialty treated to increase its resisting power. The walls protecting the skull are particularly thick, and the weight of the helmet renders its use in open warfare out of the question. The rim is large, like that of the headpiece of Mambrino, and the soldier can at will either bring the helmet forward and protect his eyes or wear it so as to protect the base of the skull . . . Military experts admit that continuance of the present trench warfare may lead to those engaged in it, especially bombing parties and barbed wire cutters, being more heavily armoured than the knights, who fought at Bouvines and at Agincourt.—The Times, July 22, 1915
The war is already a fruitful mother of legends. Some people think that there are too many war legends, and a Croydon gentleman—or lady, I am not sure which—wrote to me quite recently telling me that a certain particular legend, which I will not specify, had become the "chief horror of the war." There may be something to be said for this point of view, but it strikes me as interesting that the old myth-making faculty has survived into these days, a relic of noble, far-off Homeric battles. And after all, what do we know? It does not do to be too sure that this, that, or the other hasn't happened and couldn't have happened.
What follows, at any rate, has no claim to be considered either as legend or as myth. It is merely one of the odd circumstances of these times, and I have no doubt it can easily be "explained away." In fact, the rationalistic explanation of the whole thing is patent and on the surface. There is only one little difficulty, and that, I fancy, is by no means insuperable. In any case this one knot or tangle may be put down as a queer coincidence and nothing more.
Here, then, is the curiosity or oddity in question. A young fellow, whom we will call for avoidance of all identification Delamere Smith— he is now Lieutenant Delamere Smith—was spending his holidays on the coast of west South Wales at the beginning of the war. He was something or other not very important in the City, and in his leisure hours he smattered lightly and agreeably a little literature, a little art, a little antiquarianism. He liked the Italian primitives, he knew the difference between first, second, and third pointed, he had looked through Boutell's "Engraved Brasses." He had been heard indeed to speak with enthusiasm of the brasses of Sir Robert de Septvans and Sir Roger de Trumpington.