CHAPTER IV.
WILD SCENES OF ENGLAND:—DARTMOOR AND THE FEN COUNTRY.
CROSSING the Channel, and surveying the limited expanse of our own “beloved England,” we become aware of certain districts which belong to the Desert World. Through the ceaseless energy of our race, and the introduction of mechanical inventions which economize time and labour and treble the reproductive power of capital, almost all England has been transformed into a rich and radiant garden, where the waste places are “few and far between,” where the solitude of desolation is scarcely known; yet, as already observed, there are districts which retain much of their ancient wildness of character.
Such a region is Dartmoor, the extensive and romantic table-land of granite which occupies the south-western part of the county of Devon. In its recesses still linger the eagle, the bustard, and the crane; its solitudes are broken by the hoarse cries of the sparrow-hawk, the hobby, and the goshawk; and the Cyclopean memorials of Druidism which cover its surface—cromlechs and kistvaens, tolmêns and stone-avenues—invest it with a peculiar air of mysterious awe. It extends in length about twenty-two miles (from north to south), and in breadth twenty miles (from east to west). Its total area exceeds 130,000 acres. It rises above the surrounding country like “the long, rolling waves of a tempestuous ocean, fixed into solidity by some instantaneous and powerful impulse.” A natural rampart is cast around it. Deep ravines, watered by murmuring streams, diversify its aspect, and lofty hills of granite, locally called tors, of which the principal, Yes Tor, has an elevation of 2050 feet above the sea. Its soil is composed of peat, in some places twenty-five feet deep; underneath which lies a solid mass of granite, occasionally relieved by trap (a volcanic rock), and traversed by veins of tin, copper, and manganese.[14]
Nearly in the centre of this dismal wilderness lies an immense morass, whose surface is in many places incapable of supporting the lightest animal, and whose inexhaustible reservoirs supply the fountains of many a river and stream—the Dart, the Teign, the Taw, the Tavy—all clear as crystal in the summer months, but after heavy rains running redly through the “stony vales.” The roaring of these torrents, when angry and swollen, is sublime to a degree inconceivable by those who have never heard the wild impressive music of untamed Nature.
The tors are remarkable for their quaint fantastic outlines, which, like the clouds, suggest all manner of strange similitudes—to dragons, and griffins, and hoary ruins, and even to human forms of gigantic size, apparently confronting the traveller as the lords and natural denizens of the rugged waste. The principal summits are Yes Tor, Cawsand Beacon, Fur Tor, Lynx Tor, Rough Tor, Holne Ridge, Brent Tor, Rippen Tor, Hound Tor, Sheep’s Tor, Crockern Tor, and Great Mis Tor. Not only must their variety of form delight the artist, but his eye rests well pleased on their manifold changes of colour; purple, and green, and gray, and blue—now softened by a delicate vaporous shadow, now glowing with intense fulness in the sun’s unclouded light.
Dartmoor is traditionally reputed to have been anciently clothed with forest. The sole relic now existing is the lonely Wistman’s Wood, which occupies a sombre valley, bounded on the one side by Crockern Tor, on the other by Little and Great Bairdown; the slopes being strewn with gray blocks of granite in “admired disorder,” as if the Titans had been at their cumbrous play. Starting from this chaos of rocks, appears a wood or grove of dwarf weird-looking oaks, interspersed with the mountain-ash, and everywhere festooned about and garlanded with ferns and parasitical plants. None of these trees exceed twelve feet in height, but at the top they spread far and wide, and “branch and twist in so fantastic and tortuous a manner as to remind one of those strange things called mandrakes.” Their branches are literally covered with ivy and creeping plants, and their trunks so thickly embedded in a coating of moss that at first sight, says Mrs. Bray, “you would imagine them to be of enormous thickness in proportion to their height. Their whole appearance conveys to you the idea of hoary age in the vegetable world of creation; and on visiting Wistman’s Wood it is impossible to do other than think of those ‘groves in stony places’ so often mentioned in Scripture as being dedicated to Baal and Astaroth.”[15]
That heathen rites were celebrated here in the pre-historic era seems very probable, the best etymologists agreeing that the name is a corruption of Wise-man, or Wish-man; that is, of the old Norse god Woden, who is still supposed to drive his spectral hounds across the silent wastes of Dartmoor. Celtic or Cymric memorials, as we have previously hinted, are very abundant and very various. There are cromlechs, where the Britons buried their dead; stone pillars, with which they commemorated their priests and heroes; avenues of upright stones leading up to the circles, where, perhaps, their priests celebrated their religious rites; kistvaens, or stone-chests, containing the body unburned; tolmêns, or holed stones, whose meaning cannot be determined, but which may probably have had some astronomical uses; bridges, huts, and walled villages, all bearing traces of the handiwork of our “rude forefathers.” There is no spot in England so thronged as this with the shadows of a remote, a mysterious, and an irrecoverable past.
From Dartmoor our wanderings take us to the eastern coast, and the district of The Fens, now so rapidly yielding to the labour of the agriculturist as to exhibit but rare glimpses of their ancient “savagery.” It extends inland, around an arm of the North Sea called the Wash, into the six counties of Cambridge, Huntingdon, Lincoln, Norfolk, Northampton, and Suffolk, with an area of upwards of 420,000 acres. Inland it is bounded by an amphitheatral barrier of high lands, and touches the towns of Bolingbroke, Brandon, Earith, Milton, and Peterborough. Into this great basin flow the waters of the greater part of the drainage of nine counties, which gather into the rivers Cam, Glen, Lark, Nene, Great and Little Ouse, Stoke, and Welland, these being linked together by a network of natural and artificial canals.
Anciently, the Fens were pleasant to the eye of the lover of the picturesque; for they contained shining meres and golden reed-beds, haunted by countless water-fowl, and strange, gaudy insects. “Dark-green alders,” says Kingsley,[16] “and pale-green reeds stretched for miles round the broad lagoon, where the coot clanked and the bittern boomed, and the sedge-bird, not content with its own sweet song, mocked the notes of all the birds around; while high overhead hung hawk beyond hawk, buzzard beyond buzzard, kite beyond kite, as far as eye could see.” What strange transformations must this wild region have undergone! There was a time, in all probability, when a great part of the German Ocean was dry land, through which, into a vast estuary between North Britain and Norway, flowed together all the rivers of North-eastern Europe—Elbe, Weser, Rhine, Scheldt, Seine, Thames, and all the rivers of east England, as far north as the Humber. Meanwhile, the valleys of the Cam, the Ouse, the Nene, the Welland, the Glen, and the Witham, were slowly “sawing themselves out” by the quiet action of rain and rivers. Then came an age when the lowland was swept away by the biting, corroding sea-wash still so powerfully destructive on the east coast of England, as far as Flamborough Head. “Wave and tide by sea, rain and river by land; these are God’s mighty mills in which he makes the old world new.” And as Longfellow says of moral things, so may we of physical,—
“‘Though the mills of God grind slowly, yet they grind exceeding small;
Though he sit and wait with patience, with exactness grinds he all.’”