A Child of the Jago

by Arthur Morrison

There was a shop-boy in charge of the goods outside the window, and his eyes were on Dicky. So Dicky whistled absently, and strolled carelessly along. He swung behind a large waggon, crossed the road, and sought a convenient doorstep; for his mind was made up, and his business was now to sit down before the toy-shop, and wait his opportunity.

A shop had been boarded up after a fire, and from its doorstep one could command a perfect view of the toy-shop across the broad thoroughfare with its crowded traffic—could sit, moreover, safe from interference. Here he took his seat, secure from the notice of the guardian shop-boy, whose attention was given to passengers on his own side. The little girl, gripping the new toy in her hand, came out at her mother's side and trotted off. For a moment Dicky reflected that the box could be easily snatched. But after all the little girl had but one: whereas the shopwoman had many, and at best could play on no more than one at a time.

He resumed his watch of the shop-boy, confident that sooner or later a chance would come. A woman stopped to ask the price of something, and Dicky had half crossed the road ere the boy had begun to answer. But the answer was short, and the boy's attention was released too soon.

At last the shopwoman called the boy within, and Dicky darted across—not directly, but so as to arrive invisibly at the side next the basket of music boxes. A quick glance behind him, a snatch at the box with the reddest picture, and a dash into the traffic did it.

The dash would not have been called for but for the sudden re-appearance of the shop-boy ere the box had vanished amid the intricacies of Dicky's jacket. Dicky was fast, but the boy was little slower, and was, moreover, bigger, and stronger on his legs; and Dicky reached the other pavement and turned the next corner into Widegate Street, the pursuer scarce ten yards behind.

It was now that he first experienced 'hot beef'—which is the Jago idiom denoting the plight of one harried by the cry 'Stop thief.' Down Widegate Street, across Sandys Row and into Raven Row he ran his best, clutching the hem of his jacket and the music box that lay within. Crossing Sandys Row a loafing lad shouldered against the shop-boy, and Dicky was grateful, for he made it a gain of several yards.

But others had joined in the hunt, and Dicky for the first time began to fear. This was a bad day—twice already he had been chased; and now—it was bad. He thought little more, for a stunning fear fell upon him: the fear of the hunted, that calculates nothing, and is measured by no apprehension of consequences. He remembered that he must avoid Spitalfields Market, full of men who would stop him; and he knew that in many places where a man would be befriended many would make a virtue of stopping a boy. To the right along Bell Lane he made an agonised burst of speed, and for a while he saw not nor remembered anything; heard no more than dreadful shouts drawing nearer his shoulders, felt only the fear. But he could not last. Quick enough when fresh, he was tiny and ill fed, and now he felt his legs trembling and his wind going. Something seemed to beat on the back of his head, till he wondered madly if it were the shop-boy with a stick. He turned corners, and chose his way by mere instinct, ashen-faced, staring, open-mouthed. How soon would he give in, and drop? A street more—half a street—ten yards? Rolling and tripping, he turned one last corner and almost fell against a vast, fat, unkempt woman whose clothes slid from her shoulders.

''Ere y' are, boy,' said the woman, and flung him by the shoulder through the doorway before which she stood.

He was saved at his extremity, for he could never have reached the street's end. The woman who had done it (probably she had boys of her own on the crook) filled the entrance with her frowsy bulk, and the chase straggled past. Dicky caught the stair-post for a moment's support, and then staggered out at the back of the house. He gasped, he panted, things danced blue before him, but still he clutched his jacket hem and the music box lying within. The back door gave on a cobble-paved court, with other doors, two coster's barrows, and a few dusty fowls. Dicky sat on a step where a door was shut, and rested his head against the frame.

The beating in his head grew slower and lighter, and presently he could breathe with no fear of choking. He rose and moved off, still panting, and feeble in the legs. The court ended in an arched passage, through which he gained the street beyond. Here he had but to turn to the left, and he was in Brick Lane, and thence all was clear to the Old Jago. Regaining his breath and his confidence as he went, he bethought him of the Jago Row retreat, where he might examine his prize at leisure, embowered amid trucks and barrows. Thither he pushed his way, and soon, in the shade of the upturned barrow, he brought out the music box. Bright and shiny, it had taken no damage in the flight, though on his hands he found scratches, and on his shins bruises, got he knew not how. On the top of the box was the picture of a rosy little boy in crimson presenting a scarlet nosegay to a rosy little girl in pink, while a red brick mansion filled the distance and solidified the composition. The brilliant hoop that made the sides (silver, Dicky was convinced) was stamped in patterns, and the little brass handle was an irresistible temptation. Dicky climbed a truck, and looked about him, peeping from beside the loose fence-plank. Then, seeing nobody very near, he muffled the box as well as he could in his jacket, and turned the handle.