The Dorrington Deed-Box

by Arthur Morrison

I was, as I have said, eight years of age when I started with my parents on a European tour, and it was in the year 1873. We stayed but a short while in England at first arrival, intending to make a longer stay on our return from the Continent. We made our tour, taking Italy last, and it was here that my father encountered a dangerous adventure.

We were at Naples, and my father had taken an odd fancy for a picturesque-looking ruffian who had attracted his attention by a complexion unusually fair for an Italian, and in whom he professed to recognise a likeness to Tasso the poet. This man became his guide in excursions about the neighbourhood of Naples, though he was not one of the regular corps of guides, and indeed seemed to have no regular occupation of a definite sort. "Tasso," as my father always called him, seemed a civil fellow enough, and was fairly intelligent; but my mother disliked him extremely from the first, without being able to offer any very distinct reason for her aversion. In the event her instinct was proved true.

HIS ASSAILANT FELL DEAD.

"Tasso"—his correct name, by the way, was Tommaso Marino—persuaded my father that something interesting was to be seen at the Astroni crater, four miles west of the city, or thereabout; persuaded him, moreover, to make the journey on foot; and the two accordingly set out. All went well enough till the crater was reached, and then, in a lonely and broken part of the hill, the guide suddenly turned and attacked my father with a knife, his intention, without a doubt, being murder and the acquisition of the Englishman's valuables. Fortunately my father had a hip-pocket with a revolver in it, for he had been warned of the danger a stranger might at that time run wandering in the country about Naples. He received a wound in the flesh of his left arm in an attempt to ward off a stab, and fired, at wrestling distance, with the result that his assailant fell dead on the spot. He left the place with all speed, tying up his arm as he went, sought the British consul at Naples, and informed him of the whole circumstances. From the authorities there was no great difficulty. An examination or two, a few signatures, some particular exertions on the part of the consul, and my father was free, so far as the officers of the law were concerned. But while these formalities were in progress no less than three attempts were made on his life—two by the knife and one by shooting—and in each his escape was little short of miraculous. For the dead ruffian, Marino, had been a member of the dreaded Camorra, and the Camorristi were eager to avenge his death. To anybody acquainted with the internal history of Italy—more particularly the history of the old kingdom of Naples—the name of the Camorra will be familiar enough. It was one of the worst and most powerful of the many powerful and evil secret societies of Italy, and had none of the excuses for existence which have been from time to time put forward on behalf of the others. It was a gigantic club for the commission of crime and the extortion of money. So powerful was it that it actually imposed a regular tax on all food material entering Naples—a tax collected and paid with far more regularity than were any of the taxes due to the lawful Government of the country. The carrying of smuggled goods was a monopoly of the Camorra, a perfect organisation existing for the purpose throughout the kingdom. The whole population was terrorised by this detestable society, which had no less than twelve centres in the city of Naples alone. It contracted for the commission of crime just as systematically and calmly as a railway company contracts for the carriage of merchandise. A murder was so much, according to circumstances, with extras for disposing of the body; arson was dealt in profitably; maimings and kidnappings were carried out with promptitude and despatch; and any diabolical outrage imaginable was a mere matter of price. One of the staple vocations of the concern was of course brigandage. After the coming of Victor Emanuel and the fusion of Italy into one kingdom the Camorra lost some of its power, but for a long time gave considerable trouble. I have heard that in the year after the matters I am describing two hundred Camorristi were banished from Italy.

As soon as the legal forms were complied with, my father received the broadest possible official hint that the sooner and the more secretly he left the country the better it would be for himself and his family. The British consul, too, impressed it upon him that the law would be entirely unable to protect him against the machinations of the Camorra; and indeed it needed but little persuasion to induce us to leave, for my poor mother was in a state of constant terror lest we were murdered together in our hotel; so that we lost no time in returning to England and bringing our European trip to a close.

In London we stayed at a well-known private hotel near Bond Street. We had been but three days here when my father came in one evening with a firm conviction that he had been followed for something like two hours, and followed very skilfully too. More than once he had doubled suddenly with a view to confront the pursuers, who he felt were at his heels, but he had met nobody of a suspicious appearance. The next afternoon I heard my mother telling my governess (who was travelling with us) of an unpleasant-looking man, who had been hanging about opposite the hotel door, and who, she felt sure, had afterwards been following her and my father as they were walking. My mother grew nervous, and communicated her fears to my father. He, however, pooh-poohed the thing, and took little thought of its meaning. Nevertheless the dogging continued, and my father, who was never able to fix upon the persons who caused the annoyance—indeed he rather felt their presence by instinct, as one does in such cases, than otherwise—grew extremely angry, and had some idea of consulting the police. Then one morning my mother discovered a little paper label stuck on the outside of the door of the bedroom occupied by herself and my father. It was a small thing, circular, and about the size of a sixpenny-piece, or even smaller, but my mother was quite certain that it had not been there when she last entered the door the night before, and she was much terrified. For the label carried a tiny device, drawn awkwardly in ink—a pair of knives of curious shape, crossed: the sign of the Camorra.

Nobody knew anything of this label, or how it came where it had been found. My mother urged my father to place himself under the protection of the police at once, but he delayed. Indeed, I fancy he had a suspicion that the label might be the production of some practical joker staying at the hotel who had heard of his Neapolitan adventure (it was reported in many newspapers) and designed to give him a fright. But that very evening my poor father was found dead, stabbed in a dozen places, in a short, quiet street not forty yards from the hotel. He had merely gone out to buy a few cigars of a particular brand which he fancied, at a shop two streets away, and in less than half an hour of his departure the police were at the hotel door with the news of his death, having got his address from letters in his pockets.

It is no part of my present design to enlarge on my mother's grief, or to describe in detail the incidents that followed my father's death, for I am going back to this early period of my life merely to make more clear the bearings of what has recently happened to myself. It will be sufficient therefore to say that at the inquest the jury returned a verdict of wilful murder against some person or persons unknown; that it was several times reported that the police had obtained a most important clue, and that being so, very naturally there was never any arrest. We returned to Sydney, and there I grew up.

I should perhaps have mentioned ere this that my profession—or I should rather say my hobby—is that of an artist. Fortunately or unfortunately, as you may please to consider it, I have no need to follow any profession as a means of livelihood, but since I was sixteen years of age my whole time has been engrossed in drawing and painting. Were it not for my mother's invincible objection to parting with me, even for the shortest space of time, I should long ago have come to Europe to work and to study in the regular schools. As it was I made shift to do my best in Australia, and wandered about pretty freely, struggling with the difficulties of moulding into artistic form the curious Australian landscape. There is an odd, desolate, uncanny note in characteristic Australian scenery, which most people are apt to regard as of little value for the purposes of the landscape painter, but with which I have always been convinced that an able painter could do great things. So I did my feeble best.