"Yes," Hewitt replied, "I loosened it myself—but, unfortunately, I was too late."
"Well, now," Peytral went on, "in Hayti, in my time, Mayes's enemies had a habit of dying suddenly in the night, by strangulation, and a tourniquet was always the instrument. And just as murder was quite a popular procedure in that accursed place, so strangulation by tourniquet became for a while the most common form of the crime. It was rapid, effective, and silent, you see. So that a murder by tourniquet, quite an unknown thing in this country, took my attention at once, and when another followed it so soon, I felt something like certainty. And the triangle was suggestive, too."
"Were Mayes's victims marked in that way in Hayti?"
"No, there was no mark. But"—here Mr. Peytral's features assumed a curious expression—"there are things which are not believed in this country—which are laughed at, in fact, and called superstition. You know something of Hayti, and therefore you must have heard of Voodoo—the witchcraft and devil-worship of the West Indies. Well, Mayes was as deep in that as he was in every other species of wickedness. It sounds foolish, perhaps, here in civilised England, and you may laugh, but I tell you that Mayes could make men do as he wished, with their consent or against it! And he used a thing—it was generally known that he used a thing marked with a triangle—a Red Triangle—by the use of which he could bend men to his will!"
Hewitt was listening intently, with no sign of laughter at all, notwithstanding his client's apprehension. And I remembered the case of Mr. Jacob Mason, and how that victim had so fervently expressed his wish to the excellent clergyman, Mr. Potswood, that he had never dabbled in the strange devilries of Myatt—or Mayes, as we were now learning to call him.
"At any rate," Peytral resumed, "you will understand that the conjunction of the tourniquet with the Red Triangle in the two cases you know of caused me some excitement. My daughter, as you have said, noticed a change in my habits from that time; my wife did more—she knew the reason. Mr. Hewitt, I am an older man, but there is hotter blood in my veins than in yours. My father was English—though you might scarcely suppose it—but my mother, to whose name I have reverted, was a French Creole. So perhaps my natural instincts come nearer to those of our savage ancestry than do yours. Whether or not you will understand me I do not know, but I can tell you that even now, in cold blood—for my paroxysm has exhausted itself and me—it seems to me that it would be my duty, not to say my sacred duty, to tear that man to pieces with my hands whenever and wherever I could put them on him! My old passions may have slept, I find, but they are alive still, and I found them waking when I realised that Mayes was alive and in England. The words 'sane' and 'insane' are elastic in their application, but I doubt if you would have called me strictly sane of late. I evolved mad schemes for the destruction of this wretch, and I was ready to devote myself and everything I possessed to the purpose. More than once I contemplated coming to you—seeing that you had met the man in one of his villainies—with the idea of enlisting your aid. But I reflected that you would probably make yourself no party to a plan of private revenge, and I hesitated. And then—then, a little more than a week ago, I saw the man himself! Changed, without doubt, but not half as much changed as I am myself. Nevertheless, sure as I am of him now, I hesitated then. For it was here in the meadow that you know, near the barn, and the thing seemed so likely to be illusion that I almost suspected my senses. It was dusk, and he was walking and talking with another man, a good deal younger. And presently, while I was still confounded with surprise, and as they passed behind a clump of trees, Mayes was gone, and I saw his companion alone. He was a young man—an artist, it would seem, with sketch-book and colours."
I started, and Hewitt and I glanced at each other. Peytral saw it and paused. "Never mind," said Hewitt. "Please go on."
"After that I came out every night, in the hope of seeing my enemy again. On several evenings I saw the young artist waiting by the barn expectantly, but nobody joined him. I found that this young man was lodging at a cottage in the village, and I resolved not to lose sight of him.
"At last, on Thursday night, I saw Mayes again. Mr. Bowmore was here, and when I left the house he troubled me much by coming after me. I was obliged to tell him that I wished to be alone, and I was in a nervously explosive state when I did it. He seemed reluctant to go; my anger blazed out, and I violently ordered him off. From what he has told me it seems that he followed me still, but lost sight of me near Penn's Meadow. Well, be that as it may, I saw Mayes and the young artist again. I watched from a rather awkward spot, and dusk was falling, so that I could not see all that passed; but presently I was aware that Mayes was making off by the road alone, and I followed him.
"From that moment I think I really was mad, though my madness did not drive me to attack him at once. I had a feeling of curiosity to see where he would go, and a curious cruel idea of letting him run for a little first—as a cat feels, I suppose, with a mouse. You may judge that I was not in my normal state of mind from the fact that all through yesterday and part of to-day I never as much as thought of telegraphing home to say that I had gone to London. For it was to London I followed him. I took no ticket at the station—I got on the platform by stealth, and entered the train unobserved, for he and one boy were the only passengers, and I feared attracting attention. It was easy enough, in such a station as Redfield, and I paid my fare at London. And after all I lost him! Lost him in London!"