The Heritage of the Hills

by Arthur Preston Hankins

The moon rode low in the heavens. The night was waning. Tall pines and spruce stood black and bar-like against the silver radiance. Away in the distance coyotes lifted their yodel, half jocular, half mournful, as a maudlin drunkard sings dolefully a merry tune.

In a cup of the hills, surrounded by acres and acres of almost impenetrable chaparral and timber, a hundred or more human beings were clustered about a blazing fire. Horses stamped in the corrals. Now and then an Indian dog cast back a vicious challenge at the wild dogs on the hill. White men and women and Indian men and women stood about the fire in a great circle, silent, intent on what was taking place at the fire's edge.

Within this outer circle of spectators revolved another smaller circle of brown-skinned men and women. But one of this number was white, and in the flickering light of the fire his skin glowed in odd contrast to the skins of those who danced with him.

For Oliver Drew was stripped but for a breechcloth about his loins, and directly opposite him in the circle, always across the fire from him as the human snake revolved about the flames, was a stalwart young Indian, likewise nearly nude. He it was who at the proper moment would dash upon the fire with this white man, when, with hands clasped over it, they two would strive to beat it to ashes with naked feet.

Side by side, shoulder to shoulder, pressed into the circle like canned fish, the fire dancers circled the leaping flames. Sweat streamed from their bodies, for the fire was a huge one and roared and crackled and leaped at them incessantly.

For two solid hours the dance had been in progress. Now and then an old squaw, faint from the heat of the fire and the nerve strain which only the fanatic knows, dropped wearily out and staggered away. Then the rank would close and fill the vacancy; and this automatically made the circle smaller and brought the dancers closer to the flames, for they must touch each other always as they circled slowly.

Round about them hobbled Chupurosa, adorned with eagle feathers dyed red and yellow and black. In his uplifted hand he held a small turtle shell, with a wooden handle bound to it by a rawhide thong. In the shell, whose ends were closed with skin, were cherry stones. The incessant rattling of them accompanied the dancers' elephantine tread. It was the toy of childhood, and those who danced to its croaking music were children of the hills and cañons, simple-minded and serene.

Slowly as moves a sluggish reptile in early spring the dancers circled the fire, times without number. Guttural grunts accompanied the constant thud of tough bare feet on the beaten earth. Now and then they broke into chanting—a weird, uncanny wailing that sent shivers along the spine and made one think of heathen sacrifices and outlandish, cruel heathen rites. Straight downward, almost, the dancers planted their feet. When their feet came down three inches had not been gained over the last stamping step. It required many long minutes for the entire circle to complete the trip around the fire; and this continued on and on till the brain of Oliver Drew swam and the fire in reality took on the aspect of a tormenting, threatening ogre which this rite must crush.

Occasionally some fanatic would spring from the line and rush upon the fire, striking at it with his feet, slapping at it with his hands, growling at it and threatening it in his guttural tongue. Then the dance would grow fiercer, and the chanting would break out anew, while always the cherry stones rattled dismally and urged the zealots on.

When would it end? There was fresh, clean pitch in the great logs that blazed; and it seemed to Oliver that the exorcism must continue to the end of time.