But the glass held steady, and the great day dawned without a cloud. Good citizens of Merchester, arising early to scan the sky, were surprised to find their next-door neighbours already abroad, and in consultation with neighbours opposite over strings of flags to be suspended across the roadway. Mr. Simeon, for example, peeping out, with an old dressing-gown cast over his night-shirt, was astounded to find Mr. Magor, the contiguous pork-seller, thus engaged with Mr. Sillifant, the cheap fruiterer across the way. He had accustomed himself to think of them as careless citizens and uncultured, and their unexpected patriotism gave him perhaps less of a shock than the discovery that they must have been moving faster than he with the times, for they both wore pyjamas.
They were kind to him, however: and, lifting no eyebrow over his antiquated night-attire, consulted him cheerfully over a string of flags which (as it turned out) Mr. Magor had paid yesterday a visit to Southampton expressly to borrow.
I mention this because it was a foretaste, and significant, of the general enthusiasm.
At ten in the morning Fritz, head waiter of that fine old English coaching-house, "The Mitre," looked out from the portico where he stood surrounded by sporting prints, and announced to the young lady in the bar that the excursion trains must be "bringing them in hundreds."
By eleven o'clock the High Street was packed with crowds that whiled away their time with staring at the flags and decorations. But it was not until 1.0 p.m. that there began to flow, always towards the Pageant Ground, a stream by which that week, among the inhabitants of Merchester, will always be best remembered; a stream of folk in strange dresses—knights in armour, ladies in flounces and ruffs, ancient Britons, greaved Roman legionaries, monks, cavaliers, Georgian beaux and dames.
It appeared as if all the dead generations of Merchester had arisen from their tombs and reclaimed possession of her streets. They shared it, however, with throngs of modern folk, in summer attire, hurrying from early luncheons to the spectacle. In the roadway near the Pageant Ground crusaders and nuns jostled amid motors and cabs of commerce.
For an hour this mad medley poured through the streets of Merchester. Come with them to the Pageant Ground, where all is arranged now and ready, waiting the signal!
Punctually at half-past two, from his box on the roof of the Grand Stand, Mr. Isidore gave the signal for which the orchestra waited. With a loud outburst of horns and trumpets and a deep rolling of drums the overture began.
It was the work of a young musician, ambitious to seize his opportunity. After stating its theme largely, simply, in sixteen strong chords, it broke into variations in which the audience for a few moments might read nothing but cacophonous noise, until a gateway opened in the old wall, and through it a band of white-robed Druids came streaming towards the stone altar which stood—the sole stage "property"—in the centre of the green area. Behind them trooped a mob of skin-clothed savages, yelling as they dragged a woman to the sacrifice. It was these yells that the music interpreted. The Pageant had opened, and was chanting in high wild notes to its own prelude.
Almost before the spectators realised this, the Arch-Druid had mounted his altar. He held a knife to the victim's throat. But meanwhile the low beat of a march had crept into the music, and was asserting itself more and more insistently beneath the disconnected outcries. It seemed to grow out of distance, to draw nearer and nearer, as it were the tramp of an armed host.… It was the tramp of a host.… As the Arch-Druid, holding his knife aloft, dragged back the woman's head to lay her throat the barer, all turned to a sudden crash of cymbals; and, to the stern marching-tune now silencing all clamours, the advance-guard of Vespasian swung in through the gateway.…