"Another thing I must tell you. As I went down the ladder—the ship's bows already beginning to dip steeply—I had a sense of being in no time at all, but in eternity. There around us, spread and placid, stretched the emptiest waste of the Pacific, with God's sun deserting the sky above it, sinking almost as fast as the ship was sinking.

"Santa had wrapped her mantilla over her head. She went down the ladder before me, following Farrell. Our boat was white-painted on thwarts and stern-sheets.… I was keeping my foothold with difficulty, loaded with a water-breaker.… A man took it from me, all in silence. I gripped Farrell's hand and hoiked him on board. There was a great silence hanging, as it seemed, about those last moments.

"We pushed off a little way. The third and last boat was lowered down, and we saw the last half-dozen, with the captain at their heels, tumbling down in a stampede.

"The Eurotas took her plunge just as we heard them unhook from the davit-blocks."

NIGHT THE SIXTEENTH.

CAPTAIN MACNAUGHTEN.

(Foe's Narrative Continued.)

"I once read a novel called One Traveller Returns. That's all I remember of it—the title.

"Well, I am that traveller: and if ever I write down the story of the Eurotas, and in particular of what was suffered on board her boat No. 2, I have no doubt that nine readers out of ten will forget the details just as soon and just as completely. There is a horrible sameness about these narratives, Roddy; and the truer they are (as I've proved) the nearer they resemble one another. Monotonous they are—these drawn-out agonies—as the sea itself upon which they are enacted. From time to time you sit up half-awake out of your stupor, and then you know that something is going to happen, and also that it is something you've read about somewhere, something that you've lived through (or so it seems) in dreams, or in a previous existence. You hardly know which; and you don't care, much. It's going to be horrible, you know: it's going to be all the more horrible, in its way, for being conventional. You want to get it over and pass on to the next stereotyped nightmare. That's the feeling.