"Then why on earth was she pulling up?" I asked. "It couldn't be signals."

"There ain't no signal within a mile of Treba meadow, up or down. She was stoppin' because—but just you let me tell it in my own way. Along she came, draggin' hard on her brakes an' whistlin'. I knew her for an excursion, and as she passed I sized it up for a big school-treat. There was five coaches, mostly packed with children, an' on one o' the coaches was a board—'Exeter to Penzance.' The four front coaches had corridors, the tail one just ord'nary compartments.

"Well, she dragged past us to dead-slow, an' came to a standstill with her tail coach about thirty yards beyond where I stood, and, as you might say, with its footboard right overhangin' the pool. You mayn't remember it, but the line just there curves pretty sharp to the right, and when she pulled up, the tail coach pretty well hid the rest o' the train from us. Five or six men, hearin' the brakes, had followed me out of the culvert and stood by me, wonderin' why the stoppage was. The rest were dotted about along the slope of th' embankment. And then the curiousest thing happened—about the curiousest thing I seen in all my years on the line. A door of the tail coach opened and a man stepped out. He didn't jump out, you understand, nor fling hisself out; he just stepped out into air, and with that his arms and legs cast themselves anyways an' he went down sprawlin' into the pool. It's easy to say we ought t' have run then an' there an' rescued him; but for the moment it stuck us up starin' an',—Wait a bit! You han't heard the end.

"I hadn't fairly caught my breath, before another man stepped out! He put his foot down upon nothing, same as the first, overbalanced just the same, and shot after him base-over-top into the water.

"Close 'pon the second man's heels appeared a third.…Yes, sir, I know now what a woman feels like when she's goin' to have the scritches. I'd have asked someone to pinch me in the fleshy part o' the leg, to make sure I was alive an' awake, but the power o' speech was taken from us. We just stuck an' stared.

"What beat everything was the behaviour of the train, so to say. There it stood, like as if it'd pulled up alongside the pool for the very purpose to unload these unfort'nit' men; an' yet takin' no notice whatever. Not a sign o' the guard—not a head poked out anywheres in the line o' windows—only the sun shinin', an' the steam escapin', an' out o' the rear compartment this procession droppin' out an' high-divin' one after another.

"Eight of 'em! Eight, as I am a truth-speakin' man—but there! you saw 'em with your own eyes. Eight! and the last of the eight scarce in the water afore the engine toots her whistle an' the train starts on again, round the curve an' out o' sight.

"She didn' leave us no time to doubt, neither, for there the poor fellas were, splashin' an' blowin', some of 'em bleatin' for help, an' gurglin', an' for aught we know drownin' in three-to-four feet o' water. So we pulled ourselves together an' ran to give 'em first aid.

"It didn' take us long to haul the whole lot out and ashore; and, as Providence would have it, not a bone broken in the party. One or two were sufferin' from sprains, and all of 'em from shock (but so were we, for that matter), and between 'em they must ha' swallowed a bra' few pints o' water, an' muddy water at that. I can't tell ezackly when or how we discovered they was all blind, or near-upon blind. It may ha' been from the unhandiness of their movements an' the way they clutched at us an' at one another as we pulled 'em ashore. Hows'ever, blind they were; an' I don't remember that it struck us as anyways singular, after what we'd been through a'ready. We fished out a concertina, too, an' a silver-mounted flute that was bobbin' among the weeds.

"The man the concertina belonged to—a tall fresh-complexioned young fella he was, an' very mild of manner—turned out to be a sort o' leader o' the party; an' he was the first to talk any sense. 'Th-thank you,' he said. 'They told us Penzance was the next stop.'