VII

If you ask me How? I answer—first begging you to bear in mind that we are planning the form of the book for our purpose, and that other forms will be used for other purposes—that we should start with the simplest alterations, such as these:

(1) The books should be re-arranged in their right order, so far as this can be ascertained (and much of it has been ascertained). I am told, and I can well believe, that this would at a stroke clear away a mass of confusion in strictly Biblical criticism. But that is not my business. I know that it would immensely help our literary study.

(2) I should print the prose continuously, as prose is ordinarily and properly printed: and the poetry in verse lines, as poetry is ordinarily and properly printed. And I should print each on a page of one column, with none but the necessary notes and references, and these so arranged that they did not tease and distract the eye.

(3) This arrangement should be kept, whether for the Tripos we prescribe a book in the Authorised text or in the Revised. As a rule, perhaps—or as a rule for some years to come—we shall probably rely on the Authorised Version: but for some books (and I instance "Job") we should undoubtedly prefer the Revised.

(4) With the verse we should, I hold, go farther even than the Revisers. As you know, much of the poetry in the Bible, especially of such as was meant for music, is composed in stanzaic form, or in strophe and anti-strophe, with prelude and conclusion, sometimes with a choral refrain. We should print these, I contend, in their proper form, just as we should print an English poem in its proper form.

I shall conclude to-day with a striking instance of this, with four strophes from the 107th Psalm, taking leave to use at will the Authorised, the Revised and the Coverdale Versions. Each strophe, you will note, has a double refrain. As Dr Moulton points out, the one puts up a cry for help, the other an ejaculation of praise after the help has come. Each refrain has a sequel verse, which appropriately changes the motive and sets that of the next stanza:

(i)

They wandered in the wilderness in a solitary way; They found no city to dwell in. Hungry and thirsty, Their soul fainted in them. Then they cried unto the Lord in their trouble, And he delivered them out of their distresses. He led them forth by a straight way, That they might go to a city of habitation. Oh that men would praise the Lord for his goodness, And for his wonderful works to the children of men! For he satisfieth the longing soul, And filleth the hungry soul with goodness.

(ii)