"A whole regiment of workmen!"
"And no stage-army, neither. Yet they come into the play—not the play you saw without understanding, but the play you understood without seeing. They call it The Phœnix. Be seated, master, while I unfold the plot: this hammering deafens me. The Burbages, you must know——"
"I knew old James, the father. He brought me down a company of players to our town the year I was High Bailiff; the first that ever played in our Guildhall. Though a countryman, I have loved the arts—even to the length of losing much money by them. A boon fellow, old James! and yet dignified as any alderman. He died—let me see—was it two year agone? The news kept me sad for a week."
"A good player, too,"—the apprentice nodded,—"though not a patch upon his son Richard. Cuthbert will serve, in ripe sententious parts that need gravity and a good memory for the lines. But Richard bears the bell of the Burbages. Well, Sir, old James being dead, and suddenly, and (as you say) these two years come February, his sons must go suing to the ground landlord, the theatre being leased upon their dad's life. You follow me?"
The countryman nodded in his turn.
"Very well. The landlord, being a skinflint, was willing to renew the lease, but must raise the rent. If they refuse to pay it, the playhouse fell to him. You may fancy how the Burbages called gods and men to witness. Being acquainted with players, you must know how little they enjoy affliction until the whole town shares it. Never so rang Jerusalem with all the woes of Jeremy as did City and suburb,—from north beyond Bishopsgate to south along the river, with the cursings of this landlord, who—to cap the humour of it—is a precisian, and never goes near a playhouse. Nevertheless, he patched up a truce for two years ending to-night, raising the rent a little, but not to the stretch of his demands. To-morrow—or, rather, the day after, since to-morrow is Christmas—the word is pay or quit. But in yielding this he yielded our friends the counterstroke. They have bought a plot across the water, in the Clink Liberty: and to-morrow, should he pass this way to church, no theatre will be here for him to smack his Puritan lips over. But for this hammering and the deep slush outside you might even now hear the rumbling of wagons; for wagons there be, a dozen of them, ready to cart the Muses over the bridge before midnight. 'Tis the proper vehicle of Thespis. See those dozen stout rascals lifting the proscenium——"
The countryman smote his great hands together, flung back his head, and let his lungs open in shout after shout of laughter.
"But, master——"
"Oh—oh—oh! Hold my sides, lad, or I start a rib.... Nay, if you keep st-staring at me with that s-sol-ol-ol-emn face. Don't—oh, don't!"