He had looked to meet with roisterers, to pass amid a riot of taverns, to happen, belike, upon a street scuffle, to see swords drawn or perchance to come upon a body stretched across the roadway and hear the murderers' footsteps in the darkness, running. These were the pictures his imagination had drawn and shuddered at: for he was a youth of small courage.
But the Bankside was demure; demure as Chepe. The waterside lanes leading to Mistress Witwold's at the corner of Paris Gardens differed only from Chepe in this—that though the hour was past midnight, every other door stood open or at least ajar, showing a light through the fog. Through some of these doorways came the buzz and murmur of voices, the tinkling of stringed instrument. Others seemed to await their guests. But the lanes themselves were deserted.
From the overhanging upper storeys lights showed here and there through the chinks of shutters or curtains. Once or twice in the shadows beneath, our apprentice saw, or thought he saw, darker shadows draw back and disappear: and gradually a feeling grew upon him that all these shadows, all these lidded upper windows, were watching, following him with curious eyes. Again, though the open doorways were bright as for a fête, a something seemed to subdue the voices within—a constraint, perhaps an expectancy—as though the inmates whispered together in the pauses of their talk and between the soft thrumming of strings. He remarked, too, that his companions had fallen silent.
Mother Witwold's door, when they reached it, stood open like the rest. Her house overhung a corner where from the main street a short alley ran down to Paris Garden stairs. Nashe, who had been leading along the narrow pavement, halted outside the threshold to extinguish his lantern; and at the same moment jerked his face upward. Aloft, in one of the houses across the way, a lattice had flown open with a crash of glass.
"Jesu! help!"
The cry ended in a strangling sob. The hands that had thrust the lattice open projected over the sill. By the faint foggy light of Mother Witwold's doorway our apprentice saw them out-stretched for a moment; saw them disappear, the wrists still rigid, as some one drew them back into the room. But what sent the horror crawling through the roots of his hair was the shape of these hands.
"You there!" called Nashe, snatching the second lantern from Burbage's hand and holding it aloft towards the dim house-front. "What's wrong within?"
A woman's hand came around the curtain and felt for the lattice stealthily, to close it. There was no other answer.
"What's wrong there?" demanded Nashe again.
"Go your ways!" The voice was a woman's, hoarse and angry, yet frightened withal. The curtain still hid her. "Haven't I trouble enough with these tetchy dwarfs, but you must add to it by waking the streets?"