"But since there is no longer any Selina! I had to pension her off, poor old soul, and she is gone to the almshouse."
She handed him the light.
"Now, if you will go up to your room, I will fetch the hot water, and then you must give me your change of clothes. They shall be warmed for a few minutes at the kitchen fire, and you shall have them hot-and-hot."
"It seems to me that while all this is doing, you will stand an excellent chance of rheumatic fever."
"Oh, I shall be all right," she announced cheerfully. "No—don't look at me, please. I know very well that the dye has run out of these crapes, and my face is beautifully streaked with black! Can you walk upstairs alone? Very well. And if you feel another attack coming, you are to call me at once."
She must have been expeditious; for when he came downstairs again he found her awaiting him in the parlour, clad in a frock of duffel-grey, which, with her damp, closely plaited hair, gave her a Quakerish look. Yet the frock became her; the natural wave of her hair, defying moisture, showed here and there rebelliously, and her cheeks glowed after a vigorous towelling.
Rosewarne drew from under his coat a bottle of champagne, and set it on the table, where the lamp's ray fell full on its gold foil. Her eyes opened wide; for he had always visited this house in his oldest clothes and passed for a poor man.
"Since you insist upon the parlour," said he, "I must try to live up to it." He produced a knife from his pocket, with a pair of nippers, and began to cut the wire. "Why are you wearing grey?" he demanded.
She flushed. "This is my school frock. I have only one suit of mourning as yet."
"And you sent away Selina. You wanted money, I suppose?"