"Do 'ee think it hurts the poor mites?" the youngest mother asked.
"Not much, I reckon," answered the big woman.
Nevertheless her own child cried pitifully when its turn came. And as it cried, the childless woman in the corner got off her chair and ran forward tremulously.
"'Becca, let me take him. Do'ee, co!"
"'Melia Penaluna, you'm no better 'n a fool."
But poor, misnamed Amelia was already back in her corner with the child, hugging it, kissing it, rocking it in her arms, crooning over it, holding it tightly against the lump that hung down on her barren bosom. Long after the baby had ceased to cry she sat crooning and yearning over it. And the mothers watched her, with wonder and scornful amusement in their eyes.
FROM A COTTAGE IN GANTICK.
I.—THE MOURNER'S HORSE.
The Board Schoolmaster and I are not friends. He is something of a zealot, and conceives it his mission to weed out the small superstitions of the countryside and plant exact information in their stead. He comes from up the country—a thin, clean-shaven town-bred man, whose black habit and tall hat, though considerably bronzed, refuse to harmonise with the scenery amid which they move. His speech is formal and slightly dogmatic, and in argument he always gets the better of me. Therefore, feeling sure it will annoy him excessively, I am going to put him into this book. He laid himself open the other day to this stroke of revenge, by telling me a story; and since he loves precision, I will be very precise about the circumstances.
At the foot of my garden, and hidden from my window by the clipt box hedge, runs Sanctuary Lane, along which I see the heads of the villagers moving to church on Sunday mornings. But in returning they invariably keep to the raised footpath on the far side, that brings the women's skirts and men's smallclothes into view. I have made many attempts to discover how this distinction arose, and why it is adhered to, but never found a satisfying explanation. It is the rule, however.