Thompson, I need hardly tell you, was by this time settled in London and naturally spent a good deal of his leisure time in Westminster Abbey. The monuments there profoundly affected his imagination, and gave him quite new ambitions with regard to the tombstone that towered at the back of all his day-dreams. When first he trod the Embankment, in thin boots with a few pence in his pocket, it had appeared to him in slate with a terrific inscription in gilt letters—inscriptions in which "Benefactor of His Species," "Take him for All in All We shall not Look upon his Like Again" took the place of the pettifogging "Clerk of the Peace" or "J.P." tagged on to the names of the Jenkinses. By degrees, however, he abated a little of the inscription and made up for it by trebling the costliness of the stone.
From slate it grew to granite—to marble—to alabaster, with painted cherubs and a coat of arms. At one time he brooded, for a whole week, over a flamboyant design with bosses of lapis lazuli at the four corners; and only gave it up for a life-size recumbent figure in alabaster with four gryphons supporting the sarcophagus. As the soles of his boots thickened with prosperity, so did his stone grow in solidity. Finally an epic of his—Adrastus—took the town by storm, and three editions were exhausted in a single week. When this happened, he sat down with a gigantic sheet of cartridge paper before him and spent a whole year in setting out the elaborated design. By his will he left all his money to pay for the structure: for his father and mother were dead and he had neither wife nor child.
When all was finished he rubbed his hands, packed up his bag and took a third-class ticket down to his native town, to have a contemptuous look at the Jenkins monuments and see how Jenkins major was getting on.
Jenkins major was up in the cemetery, among his fathers. And on top of Jenkins rested a granite cross—sufficiently handsome, to be sure, for a solicitor, but nothing out of the way. "J.P." was carved upon it; though, as Jenkins had an absurdly long Christian name (Marmaduke Augustus St. John), these letters were squeezed a bit in the right arm of the cross. Underneath was engraved—
"_ERECTED BY HIS DISCONSOLATE WIFE AND CHILDREN.
A Father kind, a Husband dear,
A faithful Friend, lies buried here_."
Thompson perused the doggerel once, twice, and a third time; and chuckled contemptuously. "So Jenkins has come to this. God bless me, how life in a provincial town does narrow a man!"
"A Father kind, a Husband dear…"
—and he went away chuckling, but with no malice at all in his breast.
Jenkins slept forgiven beneath his twopenny-halfpenny tombstone, and Thompson, reflecting that not only was his own monument designed (with a canopy of Carrara marble), but the cost of it invested in the three per cents., walked contentedly back to the station, repeating on his way with gentle scorn—