"You shall see." He stepped to the mourning women, and took the eldest by the hand. At first he whispered to her—in a voice so low that Graul heard nothing, but saw her brow relax, and that she listened while the blood came slowly back to her cheeks.

"Of what are you telling her?" the King demanded.

"Hush!" said the Stranger, "Go, fetch me a harp."

Graul brought a harp. It was mute and dusty, with a tangle of strings; but the Stranger set it against his knee, and began to mend it deftly, talking the while in murmurs as a brook talks in a covert of cresses. By and by as he fitted a string he would touch and make it hum on a word—softly at first, and with long intervals—as though all its music lay dark and tangled in chaos, and he were exploring and picking out a note here and a note there to fit his song. There was trouble in his voice, and restlessness, and a low, eager striving, and a hope which grew as the notes came oftener, and lingered and thrilled on them. Then his fingers caught the strings together, and pulled the first chord: it came out of the depths with a great sob—a soul set free. Other souls behind it rose to his fingers, and he plucked them forth, faster and faster—some wailing, some laughing fiercely, but each with the echo of a great pit, the clang of doors, and the mutter of an army pressing at its heels. And now the mourners leaned forward, and forgot all except to listen, for he was singing the Creation. He sang up the stars and set them in procession; he sang forth the sun from his chamber; he lifted the heads of the mountains and hitched on their mantles of green forest; he scattered the uplands with sheep, and the upper air with clouds; he called the west wind, and it came with a rustle of wings; he broke the rock into water and led it dancing down the cliffs, and spread it in marshes, and sent it spouting and hurrying in channels. Flowers trooped to the lip of it, wild beasts slunk down to drink; armies of corn spread in rank along it, and men followed with sickles, chanting the hymn of Linus; and after them, with children at the breast, women stooped to glean or strode upright bearing baskets of food. Over their heads days and nights hurried in short flashes, and the seasons overtook them while they rested, and drowned them in showers of bloom, and overtopped their bodies with fresh corn: but the children caught up the sickles and ran on. To some—shining figures in the host—he gave names; and they shone because they moved in the separate light of divine eyes watching them, rays breaking the thickets or hovering down from heights where the gods sat at their ease.

But before this the men had brought their boats to shore, and hurried to the Mount, drawn by his harping. They pressed around him in a ring; and at first they were sad, since of what he sang they remembered the like in Lyonnesse—plough and sickle and flail, nesting birds and harvest, flakes of ore in the river-beds, dinner in the shade, and the plain beyond winking in the noon-day heat. They had come too late for the throes of his music, when the freed spirit trembled for a little on the threshold, fronting the dawn, but with the fire of the pit behind it and red on its trailing skirt. The song rolled forward now like a river, sweeping them past shores where they desired to linger. But the Stranger fastened his eyes on them, and sang them out to broad bars and sounding tumbling seas, where the wind piped, and the breeze came salt, and the spray slapped over the prow, hardening men to heroes. Then the days of their regret seemed to them good only for children, and the life they had loathed took a new face; their eyes opened upon it, and they saw it whole, and loved it for its largeness. "Beyond! beyond! beyond!"—they stared down on the fingers plucking the chords, but the voice of the harp sounded far up and along the horizon.

And with that quite suddenly it came back, and was speaking close at hand, as a friend telling them a simple tale; a tale which all could understand, though of a country unknown to them. Thus it ran:

"In Hellas, in the kingdom of Argos, there lived two brothers, Cleobis and Biton—young men, well to do, and of great strength of body, so that each had won a crown in the public games. Now, once, when the Argives were keeping a festival of the goddess Hera, their mother had need to be driven to the temple in her chariot, but the oxen did not return from the field in time. The young men, therefore, seeing that the hour was late, put the yoke on their own necks, and drew the car in which their mother sat, and brought her to the temple, which was forty-five stades away. This they did in sight of the multitude assembled; and the men commended their strength, while the women called her blessed to be the mother of such sons. But she, overjoyed at the deed and its renown, entered the temple and, standing before the image of Hera, prayed the goddess to grant her two sons, Cleobis and Biton, the greatest boon which could fall to man. After she had prayed, and they had sacrificed and eaten of the feast, the young men sat down in the temple and fell asleep, and never awoke again, but so made an end with life. In this wise the blessing of Hera came to them; and the men of Argos caused statues to be made of them and set up at Delphi, for a memorial of their piety and its reward."

Thus quietly the great song ended, and Graul, looking around on his people, saw on their faces a cheerfulness they had not known since the day of the flood.

"Sir," said he, "yours is the half of my poor kingdom and yours the inheritance, if you will abide with us and sing us more of these songs."

"For that service," answered the Stranger, "I am come; but not for the reward. Give me only a hide of land somewhere upon your cliffs, and there will I build a house and sing to all who have need of me."