“Then sing—go on singing for your life.”
“But—”
“Sing!”
“Dear heart, they’ll murder thee! Oh! for pity’s sake, let go my wrist—
“‘Lament, ye maids an’ darters—’”
I stole to the door and peep’d out. A lantern hung in the passage, and showed the staircase directly in front of me. I stay’d for a moment to pull off my boots, and, holding them in my left hand, crept up the stairs. In the kitchen, the girl was singing and clattering the glasses together. Behind the door, at the head of the stairs, I heard voices talking. I slipp’d on my boots again and tapp’d on the panel.
“Come in!”
Let me try to describe that on which my eyes rested as I push’d the door wide. ’Twas a long room, wainscoted half up the wall in some dark wood, and in daytime lit by one window only, which now was hung with red curtains. By the fireplace, where a brisk wood fire was crackling, lean’d the young gentlewoman I had met at Hungerford, who, as she now turn’d her eyes upon me, ceas’d fingering the guitar or mandoline that she held against her waist, and raised her pretty head not without curiosity.
But ’twas on the table in the centre of the chamber that my gaze settled; and on two men beside it, of whom I must speak more particularly.
The elder, who sat in a high-back’d chair, was a little, frail, deform’d gentleman of about fifty, dress’d very richly in dark velvet and furs, and wore on his head a velvet skullcap, round which his white hair stuck up like a ferret’s. But the oddest thing about him was a complexion that any maid of sixteen would give her ears for—of a pink and white so transparent that it seem’d a soft light must be glowing beneath his skin. On either cheek bone this delicate coloring centred in a deeper flush. This is as much as I need say about his appearance, except that his eyes were very bright and sharp, and his chin stuck out like a vicious mule’s.