Walking about town after breakfast, I ran into a young man whom I had last seen in a white linen uniform, waiting patiently on the orderlies' bench of the American Ambulance at Neuilly. The ambulance is as hard to get into as an exclusive club, for the woods are full these days of volunteers who, leading rather decorative lives in times of peace, have been shaken awake by the war into helping out overtaxed embassies, making beds in hospitals, doing whatever comes along with a childlike delight in the novelty of work. This young man wore a Red Cross button now and paused long enough to impart the following—characteristic of the things we non-combatants hear daily, and which, authentic or not, help to "make life interesting":
1. An English general just down from the front had told him that four thousand soldiers had been sent out as a burial party after the fighting along the Yser, and had buried, by actual count, thirty-nine thousand Germans.
2. In a temporary hospital near the front some fifty German and Indian wounded were put in the same ward. In the night the Indians got up and cut the Germans' throats.
I climbed up through narrow, cobblestoned streets to the higher part of the town. It was pleasant up here in the frosty morning—old houses, archways, and courts, and the bells tolling people to church.
Up the long hill, as I went down, came three hearses in black and silver, after the French fashion, with drivers in black coats and black-and-silver cocked hats. People stopped as they passed, a woman crossed herself, men took off their hats—farther up the hill a French sentry suddenly straightened and presented arms.
The three caskets were draped in flags—not the tricolor, but the Union Jack. No mourners followed them, and as the ancient vehicles climbed over the brow of the hill the people kept looking, feeling, perhaps, that something was lacking, wondering who the strangers might be who had given their lives to France.
Monday.
Paris again—a gray Paris, with bare tree-trunks, dead leaves on the sidewalk, and in the air the chill of approaching winter.
Across the gray distances one fancies now and then to have seen the first stray flakes of snow, and in some old street, between tall, gray houses leaning backward, sidewise, each after its fashion—as some girl, pale, with shawl wrapped about her shoulders, hurries past with a quick upcasting of dark eyes, one thinks of Mimi and the third act of "La Boheme."
Old sentiments, old songs and verses return in this strange, gray stillness—that spirit so gracious, delicate, penetrating, and personal, which has drawn so many through the years, becomes more moving and real. There is more animation in the streets now: shops are opening, cabs tooting down the Avenue de l'Opera the greater part of the night; but most of the house-fronts are still shuttered and still. Tourists, pleasure-seekers, and the banalities they bring are gone—every thought and energy is with the men fighting on that long line across the north. It is a Paris of the French—of a France united as never before, perhaps, purified by fire, ardent, resolute, defending her life and her precious inheritance.