With a growing sense of well-being he walked on among the people who passed by him with all the casual nonchalance of a Sunday. Many a glad glance from a woman's eye met his own, and seemed as though it would have liked to console him for strolling about alone and with all the external appearances of mourning on this beautiful holiday afternoon. And another picture floated up in his mind.—He saw himself on a hilly sward, after a hot June day, late in the evening. Darkness all around. Deep below him a clatter of men, laughter and noise, and glittering fairy-lamps. Quite near, girls' voices came out of the darkness.... He lit the small pipe which he usually only smoked in the country; the flare of the vesta showed him two pretty young peasant wenches, still almost children. He chatted to them. They were frightened because it was so dark; they nestled up to him. Suddenly a whizz, rockets in the air, a loud "Ah!" from down below. Bengal lights flaring violet and red over the invisible lake beneath. The girls rushed down the hill and vanished. Then it became dark again and he lay alone and looked up into the darkness which swam down on him in all its sultriness. The night before the day on which his father died had been one such as this. And he thought of him for the first time to-day.

He had left the Ringstrasse and taken the direction of the Wieden. Would the Rosners be at home on such a beautiful day? At all events the distance was so short that it was worth trying, and at any rate he fancied going there rather than to Ehrenbergs'. He was not the least in love with Else, and it was almost a matter of indifference to him whether or no she were really engaged to Heinrich Bermann. He had already known her for a long time. She had been eleven, he had been fourteen when they had played tennis with each other on the Riviera. In those days she looked like a gipsy girl. Black-blue tresses tossed round her cheeks and forehead, and she was as boisterous as a boy. Her brother had already begun to play the lord, and even to-day George could not help smiling at the recollection of the fifteen-year old boy appearing on the promenade one day in a light grey coat with white black-braided gloves and a monocle in his eye. Frau Ehrenberg was then thirty-four, and had a dignified appearance though her figure was too large; she was still beautiful, had dim eyes, and was usually very tired.

George never forgot the day on which her husband, the millionaire cartridge-manufacturer, had descended on his family and had by the very fact of his appearance made a speedy end of the Ehrenbergian aristocracy. George still remembered in his mind's eye how he had sprung up during the breakfast on the hotel terrace; a small spare gentleman with a trimmed beard and moustache and Japanese eyes, in badly-creased white flannels, a dark straw hat with a red-and-white striped ribbon on his round head and with dusty black shoes. He always spoke very slowly and in an as it were sarcastic manner even about the most unimportant matters, and whenever he opened his mouth a secret anxiety would always lurk beneath the apparent calm of his wife's face. She tried to revenge herself by making fun of him; but she could never do anything with his inconsiderate manners. Oskar behaved whenever he had a chance as though he didn't belong to the family at all. A somewhat hesitating contempt would play over his features for that progenitor who was not quite worthy of him, and he would smile meaningly for sympathy at the young baron. Only Else in those days was really nice to her father. She was quite glad to hang on his arm on the promenade and she would often throw her arms round his neck before every one.

George had seen Else again in Florence a year before his mother's death. She was then taking drawing lessons from an old grizzled German, about whom the legend was circulated that he had once been celebrated. He spread the rumour about himself that when he felt his genius on the wane he had discarded his former well-known name and had given up his calling, though what that was he never disclosed. If his own version was to be believed, his downfall was due to a diabolical female who had destroyed his most important picture in a fit of jealousy; and then ended her life by jumping out of the window. This man who had struck the seventeen-year-old George as a kind of fool and impostor was the object of Else's first infatuation. She was then fourteen years old, and had all the wildness and naïveté of childhood. When she stood in front of the Titian Venus in the Uffizi Gallery her cheeks would flush with curiosity, yearning and admiration, and vague dreams of future experiences would play in her eyes. She often came with her mother to the house which the Wergenthins had hired at Lungarno, and while Frau Ehrenberg tried in her languid blasé way to amuse the ailing baroness, Else would stand at the window with George, start precocious conversations about the art of the Pre-Raphaelites, and smile at her old childish games. Felician too would come in sometimes, slim and handsome, cast his cold grey eyes over the objects and people in the room, murmur a few polite words, sit down by his mother's bedside, and tenderly stroke and kiss her hand. He would usually soon go away again, though not without leaving behind, so far as Else was concerned, a very palpable atmosphere of old-time aristocracy, cold-blooded fascination and elegant contempt of death. She always had the impression that he was going to a gaming-table where hundreds of thousands were at stake, to a duel to the death or to a princess with red hair and a dagger on her dressing-table. George remembered that he had been somewhat jealous both of the erratic drawing-master and of his brother. The master was suddenly dismissed for reasons which were never specified, and soon afterwards Felician left for Vienna with Baron von Wergenthin. George now played to the ladies on the piano more frequently than before, both his own compositions and those of others, and Else would sing from the score easy songs from Schubert and Schumann in her small, rather shrill voice. She visited the galleries and churches with her mother and George; when spring came there were excursion parties up the Hill Road or to Fiesole, and George and Else exchanged smiling glances which were eloquent of a deeper understanding than actually existed. Their relations went on progressing in this somewhat disingenuous manner, when their acquaintance was renewed and continued in Vienna. Else seemed pleasurably thrilled all over again by the equable friendly manner with which George approached her, notwithstanding the fact that they had not seen each other for some months. She herself, on the other hand, grew outwardly more self-possessed and mentally more unsettled with each succeeding year. She had abandoned her artistic aspirations fairly early, and in the course of time she came to regard herself as destined to the most varied careers.

She often saw herself in the future as a society woman, an organiser of battles of flowers, a patroness of great balls, taking part in aristocratic charity performances; more frequently she would believe herself called to sit enthroned as a great appreciator in an artistic salon of painters, musicians and poets. She would then dream again of a more adventurous life: a sensational marriage with an American millionaire, the elopement with a violin virtuoso or a Spanish officer, a diabolical ruination of all the men who came near her. Sometimes she would think a quiet life in the country by the side of a worthy landowner the most desirable consummation; and then she would imagine herself sitting with prematurely grey hair at a simply-laid table in a circle of numerous children while she stroked the wrinkles out of the forehead of her grave husband. But George always felt that her love of comfort, which was deeper than she guessed herself, would save her from any rash step. She would often confide in George without ever being quite honest with him; for the wish which she cherished most frequently and seriously of all was to become his wife. George was well aware of this, but that was not the only reason why the latest piece of intelligence about her engagement with Heinrich Bermann struck him as somewhat incredible—this Bermann was a gaunt clean-shaven man with gloomy eyes and straight and rather too long hair, who had recently won a reputation as a writer and whose demeanour and appearance reminded George, though he could not tell why, of some fanatical Jewish teacher from the provinces; there was nothing in him which could fascinate Else particularly or even make a pleasurable appeal.

This impression was no doubt dispelled by subsequent conversation. George had left the Ehrenbergs' in company with him one evening last spring, and they had fallen into so thrilling a conversation about musical matters that they had gone on chatting till three o'clock in the morning on a seat in the Ringstrasse.

It is strange, thought George, what a lot of things are running through my mind to-day which I had scarcely thought of at all since they happened. And he felt as though he had on this autumn evening emerged out of the grievous dreary obscurity of so many weeks into the light of day at last.

He was now standing in front of the house in the Paulanergasse where the Rosners lived. He looked up to the second story. A window was open, white tulle curtains pinned together in the centre fluttered in the light breeze.

The Rosners were at home. The housemaid showed George in. Anna was sitting opposite the door, she held a coffee-cup in her hand and her eyes were turned towards the newcomer. On her right her father was reading a paper and smoking a pipe. He was clean-shaven except for a pair of narrow grizzled whiskers on his cheeks. His thin hair of a strange greenish-grey hue was parted at the temples in front and looked like a badly-made wig. His eyes were watery and red-lidded.

The stoutish mother, around whose forehead the memory of fairer years seemed as it were to hover, looked straight in front of her; her hands were contemplatively intertwined and rested on the table.