"I see," he said slowly. It passed through his mind that her strange sensitiveness to-day was to be regarded as symptomatic of the condition to which she was alluding, and the uneasiness in his soul increased. "But you can't tell definitely for a good time yet," he said in a somewhat cooler tone than he really meant. "And ... even supposing ..." he added with artificial cheerfulness.
"So you would forgive me?" she asked with a smile.
He pressed her to him and suddenly felt quite transported. A vivid and almost pathetic feeling of love flamed up in him for the soft good creature whom he held in his arms, and who could never occasion him, he felt deeply convinced, any serious suffering. "It really wouldn't be so bad," he said cheerily, "you would just leave Vienna for a time, that's all."
"Well, it certainly wouldn't be as simple as you seem all of a sudden to think it would."
"Why not? You can soon find an excuse; besides, whom does it concern? Us two. No one else. But as far as I am concerned. I can get away any day as you know; can stay away too as long as I want to. I have not yet signed any contract for next year," he added with a smile. He then got up to put out the Christmas candles, whose tiny flames had almost burnt down to the end, and went on speaking with increasing liveliness. "It would be positively delightful; just think of it, Anna! We should go away at the end of February or the beginning of March. South, of course, Italy, or perhaps the sea. We would stay at some quiet place where no one knows us, in a beautiful hotel with enormous grounds. And wouldn't one be able to work there, by Jove?"
"So that's why!" she said, as though she suddenly understood him. He laughed, held her more tightly in his arms and she pressed herself against his breast. There was no longer any noise from outside. The last sounds of the organ and the men's voices had died away. The snow curtains swept down in front of the window.... George and Anna were happy as they had never been before.
While they were at peace in the darkness he spoke about his musical plans for the near future, and told her, so far as he was able, about Heinrich's opera plot. The room became filled with shimmering shadows. The clatter of a wedding-feast swept through the fantastic hall of an ancient king. A passionate youth stole in and thrust his dagger into the prince. A dark sentence was pronounced more sinister than death itself. A sluggish ship sailed on a darkling flood towards an unknown goal. At the youth's feet there rested a princess, who had once been the betrothed of a duke. An unknown man approached the shining boat with strange tidings; fools, star-gazers, dancers, courtiers swept past. Anna had listened in silence. When he had finished George was curious to learn what impression the fleeting pictures had made upon her.
"I can't say properly," she replied. "I certainly feel quite puzzled to-day, how you are going to make anything real out of this more or less fantastic stuff."
"Of course you can't realise it yet to-day—particularly after just hearing me describe it.... But you do feel, don't you? the musical atmosphere. I have already noted down a few motifs—and I should be really very glad if Bermann would soon get to work seriously."
"If I were you, George ... may I tell you something?"