Paint & Colour Mixing / A practical handbook for painters, decorators and all who have to mix colours, containing 72 samples of paint of various colours, including the principal graining grounds

by Arthur Seymour Jennings

Terra-Cotta.

—Mix together two parts of white lead and one part of burnt sienna. See also under “[Red Terra-Cotta].”

Turkish Crescent Red.

—Mix equal proportions of Indian red, vermilionette and rose pink.

Tuscan Red.

—This can be bought ready made, and may be imitated by mixing ten parts of Indian red with one part English rose pink. Indian red is very similar in colour but somewhat darker.

Venetian Pink.

—Tint white lead with a little Venetian red.

Venetian Red.

—This colour is one of the most useful that the house painter has, being cheap, and having good covering power and body. It is not very good for tinting purposes. It would not, of course, be often imitated, but Indian red—a very similar pigment—could be tinted with red. Or it may be imitated by mixing vermilion, yellow ochre, madder carmine, and a little Cappagh brown, which is an artist’s colour and is rarely used by house painters.