| White | Black | ||
| 1. | R 14. | 2. | N 17. |
| 3. | P 14. Preparing for “Kiri Kaeshi” on the other side of handicap stone. | 4. | R 11. Called “Tenuki.” Not necessarily played at R 11. The word means that Black “drawsout” and plays in another part of the board. |
| 5. | P 16. | 6. | P 17. |
| 7. | Q 17. “Kiri Kaeshi.” The effect of this move is generally to divide the territory. | 8. | R 17. |
| 9. | Q 18. | 10. | R 18.[[126]] |
| 11. | P 18. | 12. | O 17. |
| 13. | R 16. | 14. | Q 15. |
| 15. | S 18. | 16. | R 15. |
| 17. | S 16. | 18. | S 15. |
| 19. | S 17. | 20. | P 15. |
White has the corner, but Black has better chances to make territory later.
V
Handicap
Black is supposed to have another handicap stone at D 4.
[Plate 19] (C)
| White | Black | ||
| 1. | C 14. “Kogeima.” | 2. | F 16. “Ikken taka hiraki.” This “Joseki” was an invention of Murase Shuho. |
| 3. | H 17. White confines Black’s advances. | 4. | C 11. Black prepares to get territory on left side of the board. |
| 5. | B 16. White plays to take the corner. | 6. | D 14. |
| 7. | C 15. | 8. | D 13. Better than D 15, as it confines White more effectively. |
| 9. | C 17. | 10. | D 17. |
| 11. | H 15. | 12. | C 16. |
| 13. | B 18. | 14. | C 18. |
| 15. | B 17. | 16. | C 13. A very good move; it shuts White in the corner and assures Black a large territoryon the left side of the board. |
This opening might be continued as follows: [[127]]
| White | Black | ||
| 17. | D 18. | 18. | E 18. |
| 19. | C 19. Takes. | 20. | D 7. |