Blake strode to the middle of the room, towering above the other figures, dwarfing them by his great bulk, as assured of his mastery as he would have been in a Chatham Square gang fight.
"What's the row here?" he thundered, knowing from the past that power promptly won its own respect. "What 're you talking about, you two?" He turned from one intruder to another. "And you? And you? What do you want, anyway?"
The three contending figures, however, ignored him as though he were a tobacconist's dummy. They went on with their exotic cackle, as though he was no longer in their midst. They did not so much as turn an eye in his direction. And still Blake felt reasonably sure of his position.
It was not until the woman squeaked, like a frightened mouse, and ran whimpering into the corner of the room, that he realized what was happening. He was not familiar with the wrist movement by which the smallest bodied of the three men was producing a knife from his sleeve. The woman, however, had understood from the first.
"White man, look out!" she half sobbed from her corner. "Oh, white man!" she repeated in a shriller note as the Chinaman, bending low, scuttled across the room to the corner where she cowered.
Blake saw the knife by this time. It was thin and long, for all the world like an icicle, a shaft of cutting steel ground incredibly thin, so thin, in fact, that at first sight it looked more like a point for stabbing than a blade for cutting.
The mere glitter of that knife electrified the staring white man into sudden action. He swung about and tried to catch at the arm that held the steel icicle. He was too late for that, but his fingers closed on the braided queue. By means of this queue he brought the Chinaman up short, swinging him sharply about so that he collided flat faced with the room wall.
Then, for the first time, Blake grew into a comprehension of what surrounded him. He wheeled about, stooped and caught up the papier-mâché tea-tray from the floor and once more stood with his back to the wall. He stood there, on guard, for a second figure with a second steel icicle was sidling up to him. He swung viciously out and brought the tea-tray down on the hand that held this knife, crippling the fingers and sending the steel spinning across the room. Then with his free hand he tugged the revolver from his coat pocket, holding it by the barrel and bringing the metal butt down on the queue-wound head of the third man, who had no knife, but was struggling with the woman for the metal icicle she had caught up from the floor.
Then the five seemed to close in together, and the fight became general. It became a mêlée. With his swinging right arm Blake battered and pounded with his revolver butt. With his left hand he made cutting strokes with the heavy papier-mâché tea-tray, keeping their steel, by those fierce sweeps, away from his body. One Chinaman he sent sprawling, leaving him huddled and motionless against the orange-covered divan. The second, stunned by a blow of the tea-tray across the eyes, could offer no resistance when Blake's smashing right dealt its blow, the metal gun butt falling like a trip hammer on the shaved and polished skull.
As the white man swung about he saw the third Chinaman with his hand on the woman's throat, holding her flat against the wall, placing her there as a butcher might place a fowl on his block ready for the blow of his carver. Blake stared at the movement, panting for breath, overcome by that momentary indifference wherein a winded athlete permits without protest an adversary to gain his momentary advantage. Then will triumphed over the weakness of the body. But before Blake could get to the woman's side he saw the Chinaman's loose-sleeved right hand slowly and deliberately ascend. As it reached the meridian of its circular upsweep he could see the woman rise on her toes, rise as though with some quick effort, yet some effort which Blake could not understand.