My sudden movement threw over a second piece of furniture. It must have been some sort of collapsible screen, for it fell to the floor with an echoing crash. I waited, holding my breath, with horripilations of fear nettling every limb of my body, knowing only too well that this must indeed mark the end.
But there was no movement, no word spoken, no slightest sound. I stared through the darkness, still half expectant. I tried to tell myself that it may have been mere hallucination, that expectant attention had projected into my line of vision a purely imaginary fig-lire. I still waited, with my heart pounding. Then the tension became more than I could endure. I actually crept forward a step or two, still peering blindly through the darkness, still listening and waiting.
Then I caught my breath with sudden new suspicion, with a quick fear that crashed, bullet-like, through the film of consciousness. It was followed by a sickening sense of shock, amounting almost to physical nausea.
I once more raised the flashlight. This time my hand shook perceptibly as I turned the electric ray directly in front of me. I let the minute circle of illumination arrow through the darkness, direct to the white face that seemed to be awaiting it. Then I let it come to a rest.
I remember falling back a step or two. I may have called out, but of that I am not sure. Yet of one thing I was only too certain. There before me sat Anthony Gubtill. He was quite dead.
My first feeling was not altogether one of terror. It was accompanied by a surge of indignation at the injustice, at the brutality, of it all. I was able to make note of the quilted dressing-gown that covered the relaxed body. I was collected enough to assume that he had overheard the intruder; had come to investigate, and had been struck down and cunningly thrust into a chair. This inference was followed by a flash of exultation as I remembered that his murderer was known, that the crime could easily be proved against him, that even at the present moment he was safe in Benson's custody.
I moved toward the dead man, fortified by the knowledge of a vast new obligation. It was only after I had examined the face for a second time and seen how death had been caused by a cruelly heavy blow, dealt by some blunt instrument, that the enormity of my own intrusion into that house of horror came home to me. I felt a sudden need for light, for sobering and rationalizing light. Even the ticking from the brazen-faced clock had become something phantasmal and unnerving.
I groped feverishly and blindly about in search of an electric switch-button. Then, of a sudden, I stopped again, my movement arrested by a sound.
I knew, as I stood and listened, that it was only the purr of an automobile, faint and muffled from the street outside. But it suddenly brought home to me the awkwardness of my position. To be found in that house, or even to be seen leaving it, was no longer a desirable thing. My foolhardy caprice, before an actuality so overawing, dwindled into something worse than absurdity. And thought came back at a bound to the porcelain in my pocket. I recalled the old-time rivalry between the dead man and myself for The Flame. I recalled the details of my advent between those walls where I stood. And my blood went cold. It was not a matter of awkwardness; it was a matter of peril. For who, I again asked myself, would believe a story so absurd, or accept an excuse so extravagant?
The clock ticked on accusingly. The sound of the automobile stopped. I had just noted this with relief when the thud of a quietly closed door fell on my startled ears. Then came the murmur of voices. There was no longer any doubt about the matter. A motor had come to the door, and from it certain persons had entered the house.