I was out of it, completely and dishearteningly out of it. And my clothes were all wrong. My hats were wrong; my shoes were wrong; and every rag I had on me was in some way wrong. I was a tourist from the provinces. And I wasn’t up-to-date with either what was on me or was in me. I didn’t even know the new subway routes or the telephone rules or the proper places to go for tea. The Metropolitan looked cramped and shoddy and Tristan seemed shoddily sung to me. There was no thrill to it. And even The Jewels of the Madonna impressed me as a bit garish and off color, with the Apache Dance of the last act almost an affront to God and man. I even asked myself, when I found that I had lost the 64 trick of laughing at bridal-suite farces, if it was the possession of children that had changed me. For when you’re with children you must in some way match their snowy innocence with a kindred coloring of innocence, very much as the hare and the weasel and the ptarmigan turn white to match the whiteness of our northern winter. Yet I was able to wring pure joy out of Rachmaninoff’s playing at Carnegie Hall, with a great man making music for music’s sake. I loved the beauty and balance and splendid sanity of that playing, without keyboard fire-works and dazzle and glare. But Rachmaninoff was the exception. Even Central Park seemed smaller than of old, and I couldn’t remember which drives Dinky-Dunk and I had taken in the historic old hansom-cab after our equally historic marriage by ricochet. Fifth Avenue itself was different, the caterpillar of trade having crawled a little farther up the stalk of fashion, for the shops, I found, went right up to the Park, and the old W. K. house where we once danced our long-forgotten Dresden China Quadrille, in imitation of the equally forgotten Eighty-Three event, confronted me as a beehive of business offices. I couldn’t quite get used to the new names and the new faces and the new shops and the side-street theaters and the 65 thought of really nice girls going to a prize-fight in Madison Square Garden, and the eternal and never-ending talk about drinks, about where and how to get them, and how to mix them, and how much Angostura to put into ’em, and the musty ale that used to be had at Losekam’s in Washington, and the Beaux Arts cocktails that used to come with a dash of absinthe, and the shipment of pinch-neck Scotch which somebody smuggled in on his cruiser-yacht from the east end of Cuba, and so-forth and so-forth until I began to feel that the only important thing in the world was the possession and dispensation of alcohol. And out of it I got the headache without getting the fun. I had the same dull sense of being cheated which came to me in my flapper days when I fell asleep with a mouthful of contraband gum and woke up in the morning with my jaw-muscles tired—I’d been facing all the exertion without getting any of the satisfaction.
The one bright spot to me, in that lost city of my childhood, was the part of Madison Avenue which used to be known as Murray Hill, the right-of-way along the west sidewalk of which I once commandeered for an afternoon’s coasting. I could see again, as I glanced down the familiar slope, the puffy figure of 66 old Major Elmes, who in those days was always pawing somebody, since he seemed to believe with Novalis that he touched heaven when he placed his hand on a human body. I could see myself sky-hooting down that icy slope on my coaster, approaching the old Major from the rear and peremptorily piping out: “One side, please!” For I was young then, and I expected all life to make way for me. But the old Major betrayed no intention of altering his solemnly determined course at any such juvenile suggestion, with the result that he sat down on me bodily, and for the next two blocks approached his club in Madison Square in a manner and at a speed which he had in no wise anticipated. But, Eheu, how long ago it all seemed!
Saturday the Tenth
Peter has written back in answer to my question as to the expediency of sending my boy off to a boarding-school. He put all he had to say in two lines. They were:
“I had a mother like Dinkie’s, I’d stick to her until the stars were dust.”
That was very nice of Peter, of course, but I don’t imagine he had any idea of the peck of trouble he was going to stir up at Casa Grande. For Dinky-Dunk picked up the sheet of paper on which that light-hearted message had been written and perused the two lines, perused them with a savagery which rather disturbed me. He read them for the second time, and then he put them down. His eye, as he confronted me, was a glacial one.
“It’s too bad we can’t run this show without the interference of outsiders,” he announced as he stalked out of the room.
I’ve been thinking the thing over, and trying to 68 get my husband’s view-point. But I can’t quite succeed. There has always been a touch of the satyric in Dinky-Dunk’s attitude toward Peter’s weekly letter to my boy. He has even intimated that they were written in a new kind of Morse, the inference being that they were intended to carry messages in cipher to eyes other than Dinkie’s. But Peter is much too honest a man for any such resort to subterfuge. And Dinky-Dunk has always viewed with a hostile eye the magazines and books and toys which big-hearted Peter has showered out on us. Peter always was ridiculously open-handed. And he always loved my Dinkie. And it’s only natural that our thoughts should turn back to where our love has been left. Peter, I know, gets quite as much fun out of those elaborately playful letters to Dinkie as Dinkie does himself. And it’s left the boy more anxious to learn, to the end that he may pen a more respectable reply to them.