“But, darling, mommie doesn’t eat sugar in her soup!”
“Shooder! Dinkie wants shooder, shooder in his soup!”
“Daddy never eats shooder in his soup, Sweetness.”
“I want shooder!”
“But really nice little boys don’t ask for sugar in their soup,” argued the patient-eyed Struthers.
“Shooder!” insisted the implacable tyrant. And he got it.
There was an exceptional number of babies and small children on board and my unfraternal little prairie-waifs did not see why every rattle and doll and automatic toy of their little fellow travelers and sister tourists shouldn’t promptly become their own private property. And traveling with twins not yet a year old is scarcely conducive to rest.
And yet, for all the worry and tumult, I found a new peace creeping into my soul. It was the first sight of the Rockies, I think, which brought the change. I’d grown tired of living on a billiard-table, without quite knowing it, tired of the trimly circumscribed monotony of material life, of the isolating flat contention against hunger and want. But the mountains took me out of myself. They were Peter’s windmill, raised to the Nth power. They loomed above me, seeming to say: “We are timeless. You, puny one, can live but a day.” They stood there as they had stood from the moment God first whispered: “Let there be light”—and there was light. But no, I’m wrong there, as Peter would very promptly have told me, for it was only in the Cambrian Period that the cornerstone of the Rockies was laid. The geologic clock ticked out its centuries until the swamps of the Coal Period were full of Peter’s Oldest Inhabitants in the form of Dinosaurs and then came the Cretaceous Period and the Great Architect looked down and bade the Rockies arise, and tooled them into beauty with His blue-green glaciers and His singing rivers, and touched the lordliest peaks with wine-glow and filled the azure valleys with music and peace. And we threaded along those valley-sides on our little ribbons of steel, skirted the shouting rivers and plunged into tiny twisted tubes of darkness, emerging again into the light and once more hearing the timeless giants, with their snow-white heads against the sunset, repeat their whisper: “We live and are eternal. Ye, who fret about our feet, dream for a day, and are forgotten!”
But we seemed to be stepping out into a new world, by the time we got to Pasadena. It was a summery and flowery and holiday world, and it impressed me as being solely and scrupulously organized for pleasure. Yet all minor surprises were submerged in the biggest surprise of Peter’s bungalow, which is really more like a château, and strikes me as being singularly like Peter himself, not amazingly impressive to look at, perhaps, but hiding from the world a startingly rich and luxurious interior. The house itself, half hidden in shrubbery, is of weather-stained stucco, and looks at first sight a little gloomy, with the patina of time upon it. But it is a restful change from the spick-and-spanness of the near-by millionaire colony, so eloquent of the paint-brush and the lawn-valet’s shears, so smug and new and strident in its paraded opulence. Peter’s gardens, in fact, are a rather careless riot of color and line, a sort of achieved genteel roughness, like certain phases of his house, as though the wave of refinement driven too high had broken and tumbled over on itself.
The house, which is the shape of an “E” without the middle stroke, has a green-sodded patio between the two wings, with a small fountain and a stained marble basin at the center. There are shade-trees and date-palms and shrubs and Romanesque-looking stone seats about narrow walks, for this is the only really formalized portion of the entire property. This leads off into a grove and garden, a confusion of flowers and trees where I’ve already been able to spot out a number of orange trees, some of them well fruited, several lemon and fig trees, a row of banana trees, or plants, whichever they should be called, besides pepper and palm and acacia and a long-legged double-file of eucalyptus at the rear. And in between is a pergola and a mixture of mimosa and wistaria and tamarisk and poppies and trellised roses and one woody old geranium with a stalk like a crab-apple trunk and growth enough to cover half a dozen prairie hay-stacks.