I asked Dinky-Dunk about the nugget, and he says it’s genuine gold, without a doubt. He also says there’s one chance in a hundred of Whinnie actually having a claim up in the gold country, but doubts if the poor old fellow will ever get up to it again. It’s about on the same footing, apparently, as Uncle Carlton’s Chilean nitrate mines. For Whinnie had a foot frozen, his third winter on the Yukon, and this, of course, has left him lame. It means that he’s not a great deal of good when it comes to working the land, but he’s a clever carpenter, and a good cement-worker, and can chore about milking the cows and looking after the stock and repairing the farm implements. Many a night, after supper, he tells us about the Klondike in the old days, about the stampedes of ninety-eight and ninety-nine, and the dance-halls and hardships and gamblers and claim-jumpers. I have always had a weakness for him because of his blind and unshakable love for my little Dinkie, for whom he whittles out ships and windmills and decoy-ducks. But when I explained things to simple-minded old Whinnie, and he offered to hand over the last of his ready money—the money he was hoarding dollar by dollar to get back to his hidden El Dorado—it brought a lump up into my throat.
I couldn’t accept his offer, of course, but I loved him for making it. And whatever happens, I’m going to see that Whinnie has patches on his panties and no holes in his socks as long as he abides beneath our humble roof-tree. I intend to make the new bunk-house just as homy and comfortable as I can, so that Whinnie, under that new roof, won’t feel that he’s been thrust out in the cold. But I must have my own house for myself and my babes. Soapy Stennet, by the way, has been paid off by Dinky-Dunk and is moving on to the Knee-Hill country, where he says he can get good wages breaking and seeding. Soapy, of course, was a good man on the land, but I never took a shine to that hard-eyed Canuck, and we’ll get along, in some way or other, without him. For, in the language of the noble Horatius, “I’ll find a way, or make it!”
On the way back to Casa Grande to-night, after a hard day’s work, I asked Dinky-Dunk if we wouldn’t need some sort of garage over at the Harris Ranch, to house our automobile. He said he’d probably put doors on the end of one of the portable granaries and use that. When I questioned if a car of that size would ever fit into a granary he informed me that we couldn’t keep our big car.
“I can get seventeen hundred dollars for that boat,” he explained. “We’ll have to be satisfied with a tin Lizzie, and squander less on gasoline.”
So once again am I reminded that the unpardonable crime of poverty is not always picturesque. But I wrestled with my soul then and there, and put my pride in my pocket and told Dinky-Dunk I didn’t give a rip what kind of a car I rode in so long as I had such a handsome chauffeur. And I reached out and patted him on the knee, but he was too deep in his worries about business matters, I suppose, to pay any attention to that unseemly advance.
To-night after supper, when the bairns were safely in bed, I opened up the baby grand, intent on dying game, whatever happened or was to happen. But my concert wasn’t much of a success. When you do a thing for the last time, and know it’s to be the last time, it gives you a graveyardy sort of feeling, no matter how you may struggle against it. And the blither the tune the heavier it seemed to make my heart. So I swung back to the statelier things that have come down to us out of the cool and quiet of Time. I eased my soul with the Sonata Appassionata and lost myself in the Moonlight and pounded out the Eroica. But my fingers were stiff and my touch was wooden—so it was small wonder my poor lord and master tried to bury himself in his four-day-old newspaper. Then I tried Schubert’s Rosamonde, though that wasn’t much of a success. So I wandered on through Liszt to Chopin. And even Chopin struck me as too soft and sugary and far-away for a homesteader’s wife, so I sang
| “In the dead av the night, acushla, When the new big house is still,”— |
to see if it would shake any sign of recognition out of my harried old Dinky-Dunk.
As I beheld nothing more than an abstracted frown over the tip-top edge of his paper, I defiantly swung into The Humming Coon, which apparently had no more effect than Herman Lohr. So with malice aforethought I slowly and deliberately pounded out the Beethoven Funeral March. I lost myself, in fact, in that glorious and melodic wail of sorrow, merged my own puny troubles in its god-like immensities, and was brought down to earth by a sudden movement from Dinky-Dunk.
“Why rub it in?” he almost angrily demanded as he got up and left the room....