This afternoon, tired of scheming and conceiting for the future, I had a longing to be frivolous and care-free. So I got out the old rusty-rimmed banjo, tuned her up, and sat on an overturned milk-bucket, with Dinkie and Bobs and Poppsy and Pee-Wee for an audience.
I was leaning back with my knees crossed, strumming out Turkey in the Straw when Peter walked up and sat down between Bobs and Dinkie. So I gave him The Whistling Coon, while the Twins lay there positively pop-eyed with delight, and he joined in with me on Dixie, singing in a light and somewhat throaty baritone. Then we swung on to There’s a Hole in the Bottom of the Sea, which must always be sung to a church-tune, and still later to that dolorous ballad, Oh, Bury Me Not on the Lone Prair-hee! Then we tried a whistling duet with banjo accompaniment, pretty well murdering the Tinker’s Song from Robin Hood until Whinstane Sandy, who was taking his Sabbath bath in the bunk-house, loudly opened the window and stared out with a dourly reproving countenance, which said as plain as words: “This is nae the day for whustlin’, folks!”
But little Dinkie, obviously excited by the music, shouted “A-more! A-more!” so we went on, disregarding Whinnie and the bunk-house window and Struthers’ acrid stare from the shack-door. I was in the middle of Fay Templeton’s lovely old Rosie, You Are My Posey, when Lady Alicia rode up, as spick and span as though she’d just pranced off Rotten Row. And as I’d no intention of showing the white feather to her ladyship, I kept right on to the end. Then I looked up and waved the banjo at her where she sat stock-still on her mount. There was an enigmatic look on her face, but she laughed and waved back, whereupon Peter got up, and helped her dismount as she threw her reins over the pony’s head.
I noticed that her eye rested very intently on Peter’s face as I introduced him, and he in turn seemed to size the stately newcomer up in one of those lightning-flash appraisals of his. Then Lady Allie joined our circle, and confessed that she’d been homesick for a sight of the kiddies, especially Dinkie, whom she took on her knee and regarded with an oddly wistful and abstracted manner.
My hired man, I noticed, was in no way intimidated by a title in our midst, but wagered that Lady Allie’s voice would be a contralto and suggested that we all try On the Road to Mandalay together. But Lady Allie acknowledged that she had neither a voice nor an ear, and would prefer listening. We couldn’t remember the words, however, and the song wasn’t much of a success. I think the damper came when Struthers stepped out into full view, encased in my big bungalow-apron of butcher’s linen. Lady Alicia, after the manner of the English, saw her without seeing her. There wasn’t the flicker of an eyelash, or a moment’s loss of poise. But it seemed too much like a Banquo at the feast to go on with our banjo-strumming, and I attempted to bridge the hiatus by none too gracefully inquiring how things were getting along over at Casa Grande. Lady Allie’s contemplative eye, I noticed, searched my face to see if there were any secondary significances to that bland inquiry.
“Everything seems to be going nicely,” she acknowledged. Then she rather took the wind out of my sails by adding: “But I really came over to see if you wouldn’t dine with me to-morrow at seven. Bring the children, of course. And if Mr.—er—Ketley can come along, it will be even more delightful.”
Still again I didn’t intend to be stumped by her ladyship, so I said that I’d be charmed, without one second of hesitation, and Peter, with an assumption of vast gravity, agreed to come along if he didn’t have to wear a stiff collar and a boiled shirt. And he continued to rag Lady Allie in a manner which seemed to leave her a little bewildered. But she didn’t altogether dislike it, I could see, for Peter has the power of getting away with that sort of thing.
Tuesday the Eighth
Lady Alicia’s dinner is over and done with. I can’t say that it was a howling success. And I’m still very much in doubt as to its raison d’être, as the youthful society reporters express it. At first I thought it might possibly be to flaunt my lost grandeur in my face. And then I argued with myself that it might possibly be to exhibit Sing Lo, the new Chink man-servant disinterred from one of the Buckhorn laundries. And still later I suspected that it might be a sort of demonstration of preparedness, like those carefully timed naval parades on the part of one of the great powers disquieted by the activities of a restive neighbor. And then came still another suspicion that it might possibly be a move to precipitate the impalpable, as it were, to put certain family relationships to the touch, and make finally certain as to how things stood.