We slept at night under the wagon-box, with a tarpaulin along one side to keep out the wind, and a fire flickering in our faces on the other side, and the horses tethered out, and the stars wheeling overhead, and the peace of God in our hearts. How good every meal tasted! And how that keen sharp air made snuggling down under a couple of Hudson Bay five-point blankets a luxury to be spoken of only in the most reverent of whispers! And there was a time, as you already know, when I used to take bromide and sometimes even sulphonal to make me sleep! But here it is so different! To get leg-weary in the open air, tramping about the sedgy slough-sides after mallard and canvas-back, to smell coffee and bacon and frying grouse in the cool of the evening, across a thin veil of camp-fire smoke, to see the tired world turn over on its shoulder and go to sleep—it's all a sort of monumental lullaby.
The prairie wind seems to seek you out, and make a bet with the Great Dipper that he'll have you off in forty winks, and the orchestra of the spheres whispers through its million strings and sings your soul to rest. For I tell you here and now, Matilda Anne, I, poor, puny, good-for-nothing, insignificant I, have heard that music of the spheres as clearly as you ever heard Funiculi-Funicula on that little Naples steamer that used to take you to Capri. And when I'd crawl out from under that old wagon-box, like a gopher out of his hole, in the first delicate rosiness of dawn, I'd feel unutterably grateful to be alive, to hear the cantatas of health singing deep in my soul, to know that whatever life may do to me, I'd snatched my share of happiness from the pantry of the gods! And the endless change of color, from the tawny fox-glove on the lighter land, the pale yellow of a lion's skin in the slanting autumn sun, to the quavering, shimmering glories of the Northern Lights that dance in the north, that fling out their banners of ruby and gold and green, and tremble and merge and pulse until I feel that I can hear the clash of invisible cymbals. I wonder if you can understand my feeling when I pulled the hat-pin out of my old gray Stetson yesterday, uncovered my head, and looked straight up into the blue firmament above me. Then I said, "Thank you, God, for such a beautiful day!"
Dinky-Dunk promptly said that I was blasphemous—he's so strict and solemn! But as I stared up into the depths of that intense opaline light, so clear, so pure, I realized how air, just air and nothing else, could leave a scatter-brained lady like me half-seas over. Only it's a champagne that never leaves you with a headache the next day!
Saturday the Twenty-fourth
Dinky-Dunk, who seems intent on keeping my mind occupied, brought me home a bundle of old magazines last night. They were so frayed and thumbed-over that some of the pages reminded me of well-worn bank-notes. I've been reading some of the stories, and they all seem silly. Everybody appears to be in love with somebody else's wife. Then the people are all divided so strictly into two classes, the good and the bad! As for the other man's wife, prairie-life would soon knock that nonsense out of people. There isn't much room for the Triangle in a two-by-four shack. Life's so normal and natural and big out here that a Pierre Loti would be kicked into a sheep-dip before he could use up his first box of face-rouge! You want your own wife, and want her so bad you're satisfied. Not that Dinky-Dunk and I are so goody-goody! We're just healthy and human, that's all, and we'd never do for fiction. After meals we push away the dishes and sit side by side, with our arms across each other's shoulders, full of the joy of life, satisfied, happy, healthy-minded, now and then a little Rabelaisian in our talk, meandering innocent-eyed through those earthier intimacies which most married people seem to face without shame, so long as the facing is done in secret. We don't seem ashamed of that terribly human streak in us. And neither of us is bad, at heart. But I know we're not like those magazine characters, who all seem to have Florida-water instead of red blood in their veins, and are so far, far away from life.
Yet even that dip into politely erotic fiction seemed to canalize my poor little grass-grown mind into activity, and Diddums and I sat up until the wee sma' hours discoursing on life and letters. He started me off by somewhat pensively remarking that all women seem to want to be intellectual and have a salon.
"No, Dinky-Dunk, I don't want a salon," I promptly announced. "I never did want one, for I don't believe they were as exciting as we imagine. And I hate literary people almost as much as I hate actors. I always felt they were like stage-scenery, not made for close inspection. For after five winters in New York and a couple in London you can't help bumping into the Bohemian type, not to mention an occasional collision with 'em up and down the Continent. When they're female they always seem to wear the wrong kind of corsets. And when they're male they watch themselves in the mirrors, or talk so much about themselves that you haven't a chance to talk about yourself—which is really the completest definition of a bore, isn't it? I'd much rather know them through their books than through those awful Sunday evening soirees where poor old leonine M—— used to perspire reading those Socialist poems of his to the adoring ladies, and Sanguinary John used to wear the same flannel shirt that shielded him from the Polar blasts up in Alaska—open at the throat, and all that sort of thing, just like a movie-actor cowboy, only John had grown a little stout and he kept spoiling the Strong-Man picture by so everlastingly posing at one end of the grand-piano! You know the way they do it, one pensive elbow on the piano-end and the delicately drooping palm holding up the weary brains, the same as you prop up a King-orange bough when it gets too heavy with fruit! And then he had a lovely bang and a voice like a maiden-lady from Maine. And take it from me, O lord and master, that man devoured all his raw beef and blood on his typewriter-ribbon. I dubbed him the King of the Eye-Socket school, and instead of getting angry he actually thanked me for it. That was the sort of advertising he was after."
Dinky-Dunk grinned a little as I rattled on. Then he grew serious again. "Why is it," he asked, "a writer in Westminster Abbey is always a genius, but a writer in the next room is rather a joke?"