Yesterday I asked Olga what she thought of Percival Benson. "Ah lak heem," she calmly admitted in her majestic, monosyllabic way. "He is a fonny leetle man." And the "fonny leetle man" who isn't really little, seems to like Olga, odd as it may sound. They are such opposites, such contradictions! Percy says she's Homeric. He says he never saw eyes that were so limpid, or such pools of peace and calm. He insists on the fact that she's essentially maternal, as maternal as the soil over which she walks, as Percy put it. I told him what Dinky-Dunk had once told me, about Olga killing a bull. The bull was a vicious brute that had attacked her father and knocked him down. He was striking at the fallen man with his fore-paws when Olga heard his cries. She promptly came for that bull with a pitchfork. And speaking of Homer, it must have been a pretty epical battle, for she killed the bull and left the fork-tines eight inches in his body while she picked up her father and carried him back to the house. And I won't even kill my own hens, but have always appointed Olie as the executioner.


Friday the Seventeenth

It is funny to see Percy teaching Olga. She watches him as though he were a miracle man. Her dewy red lips form the words slowly, and the full white throat utters them largely, laboriously, instruments on them, and in some perhaps uncouth way makes them lovely. I sit with my sewing, listening. Sometimes I open the piano and play. But I feel out of it. I seem to be on the fringe of things that are momentous only to other people. Last night, when Percy said he thought he'd sell his ranch, Dinky-Dunk looked up from his paper-littered desk and told him to hang on to that land like a leech. But he didn't explain why.


Saturday the Nineteenth

I can't even remember the date. But I know that midsummer is here, that the men folks are so busy I have to shift for myself, and that the talk is still of wheat, and how it's heading, and how the dry weather of the last few weeks will affect the length of the straw. Dinky-Dunk is making desperate efforts to get men to cut wild-hay. He's bought the hay rights of a large stretch between some sloughs about seven miles east of our place. He says men are scarcer than hen's teeth, but has the promise of a couple of cutthroats who were thrown off a freight-train near Buckhorn. Percy volunteered to help, and was convinced of the fact that he could drive a mower. Olie, who nurses a vast contempt for Percy, and, I secretly believe, rather resents his attentions to Olga, put the new team of colts on the mower. They promptly ran away with Percy, who came within an ace of being thrown in front of the mower-knife, which would have chopped him up into very unscholarly mincemeat. Olga got on a horse, bareback, and rounded up the colts. Then she cooed about poor bruised Percy and tried to coax him to come to the house. But Percy said he was going to drive that team, even if he had to be strapped to the mower-seat. And, oddly enough, he did "gat them beat," as Olga expressed it, but it tired him out and wilted his collar and the sweat was running down his face when he came in at noon. Olga is very proud of him. But she announced that she'd drive that mower herself, and sailed into Olie for giving a tenderfoot a team like that to drive. It was her first outburst. I couldn't understand a word she said, but I know that she was magnificent. She looked like a statue of Justice that had suddenly jumped off its pedestal and was doing its best to put a Daniel Webster out of business!