Tuesday the Twelfth
Harvest time is here. The stage is cleared, and the last and great act of the drama now begins. It's a drama with a stage a thousand miles wide. I can hear through the open windows the rattle of the self-binders. Olga is driving one, like a tawny Boadicea up on her chariot. She said she never saw such heads of wheat. This is the first day's cutting, but those flapping canvas belts and those tireless arms of wood and iron won't have one-tenth of Dinky-Dunk's crop tied up by midnight. It is very cold, and Olie has lugubriously announced that it's sure going to freeze. So three times I've gone out to look at the thermometer and three times I've said my solemn little prayer: "Dear God, please don't freeze poor Dinky-Dunk's wheat!" And the Lord heard that prayer, for a Chinook came about two o'clock in the morning and the mercury slowly but steadily rose.
Thursday the Fourteenth
I had a great deal to talk about to-day. But I can't write much.... I'm afraid. I dread being alone. I wish I'd been a better wife to my poor old gold-bricked Dinky-Dunk! But we are what we are, character-kinks and all. So when he understands, perhaps he'll forgive me. I'm like a cottontail in the middle of a wheat-patch with the binders going round and round and every swathe cutting away a little more of my covering. And there can't be much more hiding away with my secret. But I shall never openly speak of it. The binder can cut off my feet first, the same as Olie's did with that mother-rabbit which stood trembling over her nest of young. Why must life sometimes be so ruthlessly tragic? And why, oh, why, are women sometimes so absurd? And why should I be afraid of what every woman who would justify her womanhood must face? Still, I'm afraid!