"Goosey-goosey-gander!" I said as I got his foolish old head in Chancery. "I want you to listen to me. There's nothing I've been missing. And you are plum locoed, Honey Chile, if you think I could ever be happy away from you, in New York or any other city. And I wouldn't go there for the winter if you gave me the Plaza and all the Park for a back yard!"
That declaration of mine seemed to puzzle him. "But think what it would mean to the Boy!" he contended.
"Well, what?" I demanded.
"Oh, good—er—good pictures and music and all that sort of thing!" he vaguely explained. I couldn't help laughing at him.
"But, Dinky-Dunk, don't you think Babe's a month or so too young to take up Debussy and the Post-Impressionists, you big, foolish, adorable old muddle-headed captor of helpless ladies' hearts!" And I firmly announced that he could never, never get rid of me.
Thursday the Fifteenth
Now that Olga is working altogether inside with me she is losing quite a little of her sunburn. Her skin is softer and she has acquired a little more of the Leonardo di Vinci look. She almost seems to be getting spiritualized—but it may be simply because she's lengthened her skirts. She loves Babe, and, I'm afraid, is rather spoiling him. I find her a better and better companion, not only because she talks more, but because she seems in some way to be climbing up to a newer level. Between whiles, I'm teaching her to cook. She learns readily, and is proud of her progress. But the thing of which she is proudest is her corsets. And they do make a difference. Even Dinky-Dunk has noticed this. Yesterday he stood and stared after her.
"By gum," he sagely remarked, "that girl is getting a figure!" Men are so absurd. When this same Olga was going about half uncovered he never even noticed her. Now that she's mystified her nether limbs with a little drapery he stands staring after her as though she were a Venus de Milo come to life. And Olga is slowly but surely losing a little of her Arcadian simplicity. Yesterday I caught her burning up her cowhide boots. She is ashamed of them. And she is spending most of her money on clothes, asking me many strange questions as to apparel and carrying off my fashion magazines to her bedroom for secret perusal. For the first time in her life she is using cold cream. And the end seems to justify the means, for her skin is now like apple blossoms. Rodin, I feel sure, would have carried that woman across America on his back, once to have got her into his atelier!