“And Ottenheim said you were to work with me in this,” declared Blake, putting two and two together.
The woman shrugged a white shoulder.
“Have you any money?” she asked. She put the question with the artlessness of a child.
“Mighty little,” retorted Blake, still studying the woman from where he stood. He was wondering if Ottenheim had the same hold on her that the authorities had on Ottenheim, the ex-forger who enjoyed his parole only on condition that he remain a stool-pigeon of the high seas. He pondered what force he could bring to bear on her, what power could squeeze from those carmine and childish lips the information he must have.
He knew that he could break that slim body of hers across his knee. But he also knew that he had no way of crushing out of it the truth he sought, the truth he must in some way obtain. The woman still squatted on the divan, peering down at the knife scar on her arm from time to time, studying it, as though it were an inscription.
Blake was still watching the woman when the door behind him was slowly opened; a head was thrust in, and as quietly withdrawn again. Blake dropped his right hand to his coat pocket and moved further along the wall, facing the woman. There was nothing of which he stood afraid: he merely wished to be on the safe side.
“Well, what word’ll I take back to Ottenheim?” he demanded.
The woman grew serious. Then she showed her rice-like row of teeth as she laughed.
“That means there’s nothing in it for me,” she complained with pouting-lipped moroseness. Her venality, he began to see, was merely the instinctive acquisitiveness of the savage, the greed of the petted child.
“No more than there is for me,” Blake acknowledged. She turned and caught up a heavily flowered mandarin coat of plaited cream and gold. She was thrusting one arm into it when a figure drifted into the room from the matting-hung doorway on Blake’s left. As she saw this figure she suddenly flung off the coat and stooped to the tea tray in the middle of the floor.