“Would you mind if I tried a water-color of one end of your garden?” Conkling repeated, parading the folded stool and easel and thumb box, which had obviously escaped her attention.
The rose shears went on with their clipping. She was weighing his request, and as she did so she reverted oddly back to the child type. He found it hard to think of her as a woman. She seemed disturbed by the matter-of-factness with which he had put a matter-of-fact question. But it was plain that he was an outlander, a stranger unversed in the traditions of those reticent byways.
“If you wish to,” she finally said, without stopping in her work.
It struck Conkling as odd that her face should go pale over a decision so trivial. It struck him as equally odd, when he unfolded stool and easel in the shadow of the cedar hedge, that the thin face should just as suddenly flush again. For he had sagaciously made note of the direction in which the girl was working her way along this hedge, and he chose his position so that her activities, as time went on, would not take her farther away from him. Yet he opened up his thumb box and fell to work without further addressing her, only too conscious of the uninterrupted clicking of the shears behind him. If he sniffed an aroma of the idyllic in that situation he betrayed no signs of it. She had not, at any rate, taken to her heels; and he could afford to leave the outcome on the lap of time.
He turned, with a less impersonal eye, and studied the house. He was impressed by the pathos of its faded grandeur. It might at one time, built as it was in imitation of an English manor, have been a pretentious enough pile. But everything about it had long since fallen into decay. The neglected cornices drooped without paint. The mortar had fallen away from between the bricks. The dilapidated verandas, half covered with masses of Virginia creeper, showed a roof sadly broken and a railing much awry. Here and there, in the tall French windows, a pane of glass had been replaced by an unpainted board. A broken stretch of eave troughing hung from an upper façade like an unkempt tress from a faded brow. On the parched slope to the right of its main entrance wandered a flock of hungry ducks, and under the maples, beyond the ducks, hobbled a solitary and disheveled peacock, which screamed from time to time at the advent of a stranger within its domains. On the nearer side of the house, beyond parterres of weeds and brambles which might at one time have been a rose garden, stood a tilted chicken brooder which had once been painted red, and the ruins of a cider press, with a row of overturned beehives in the background.
To the south, where the lawn sloped down to the empty fountain basin and was bisected by a narrow walk along which still flamed the valiant and invincible perennials, the aspect was less ruinous. Conkling could make out iris and phlox and ragged sailor and golden glow and tiger lilies in a glorious tangle and riot of color. Beyond the sundial he could discern an arbor with broken seats, and beyond that again the heavy and huddled foliage which on all sides screened in from the outside world that little area of color and quietness. The next moment, however, his casually wandering glance came to a stop. It came to a stop abruptly, with his startled attention balking as a colt balks at a shadow across the roadway of reason. For before him, in the unequivocal open light of the afternoon, he saw an overturned marble sarcophagus. It was the sort of thing one stumbled across now and then in Italy, the sort of thing he had himself seen crated and lowered into ships’ holds at Palermo and Catania, the sort of thing they kept behind brass railings in New World museums. But here it stood weather-stained on a slope of turf, with three tin milk-pans sunning on its mottled upturned bottom.
He sat squinting at the strange thing for a full minute. Then he turned to speak to the girl in the lilac sunbonnet.
But he did not speak. For from the direction of the house came the sound of a new and quite unexpected voice. It was a thin and acrid voice, obviously barbed with indignation.
“Julia!” was the repeated and reproving cry which echoed through the quietness.
The girl with the rose shears, more childlike than ever, turned a frightened face toward the house. But she did not answer.