Filippo Baldinucci on the Privilege of Burial, a grotesque and humorously-told "reminiscence of A.D. 1670," is, up to stanza 35, the versification of an anecdote recorded by Baldinucci, the artist and art critic (1624-1696), in his History of Painters. The incident with which it concludes is imaginary.
FOOTNOTES:
The jocose vindictiveness with which Browning returns again and again to the assault of the bad grammar and worse rhetoric of Byron's once so much belauded address to the ocean is very amusing. The above is only one out of four or five instances.
It is worth comparing A Forgiveness with a poem of very similar motive by Leconte de Lisle: Le Jugement de Komor (Poèmes Barbares). Each is a fine example of its author, in just those qualities for which both poets are eminent: originality and subtlety of subject, pregnant picturesqueness of phrase and situation, and grimly tragic power. The contrast no less than the likeness which exists between them will be evident on a comparison of the two poems.