London, May 14, 1872."
INDEX TO POEMS
- Abt Vogler, [23], [145], [146], [147]
- Adam, Lilith, and Eve, [220], [221]
- After, [128], [129]
- "Agamemnon (The), of Æschylus," [17], [202], [203]
- Andrea del Sarto, [23], [59], [82], [104], [107], [109], [113], [135], [179]
- Another Way of Love, [130]
- Any Wife to Any Husband, [124]
- Apparent Failure, [145]
- Appearances, [197]
- Arcades Ambo, [236]
- "Aristophanes' Apology," [17], [185], [190]
- Artemis Prologuizes, [63], [64], [85]
- "Asolando: Fancies and Facts," [231-239]
- At the Mermaid, [194], [196], [197]
- Bad Dreams, [232], [234], [236]
- "Balaustion's Adventure," [169], [173], [186]
- Bean-Feast, The, [236]
- Bean-Stripe (A): also Apple-Eating, [225]
- Beatrice Signorini, [234]
- Before, [128]
- Bifurcation, [198]
- Bishop Blougram's Apology, [27], [105], [111-113], [144]
- Bishop (The) Orders his Tomb at St. Praxed's Church, [83-85], [115]
- "Blot in the 'Scutcheon, A," [17], [69-72], [74], [91], [95]
- Boy and the Angel, The, [89]
- By the Fireside, [126], [139]
- Caliban upon Setebos, [27], [141-144]
- Camel-Driver, A, [224]
- Cardinal and the Dog, The, [236], [237]
- Cavalier Tunes, [62]
- Cenciaja, [201]
- Cherries, [224]
- 'Childe Roland to the Dark Tower, came,' [118-120]
- "Christmas-Eve and Easter-Day," [98-103]
- Cleon, [105], [109], [111], [143]
- Clive, [214], [215]
- "Colombe's Birthday," [73-76], [91]
- Confessional, The, [86]
- Confessions, [27], [139-141]
- Count Gismond, [62-63]
- Cristina, [63]
- Cristina and Monaldeschi, [221-222]
- Deaf and Dumb, [145]
- Death in the Desert, A, [141], [142]
- 'De Gustibus,' [26], [130]
- Development, [232]
- Dîs aliter Visum, [27], [138]
- Doctor ——, [193], [217]
- Donald, [222]
- "Dramatic Idyls," [208-213]
- "Dramatic Idyls" (Second Series), [213-218]
- "Dramatic Lyrics," [58-65]
- "Dramatic Romances and Lyrics," [56], [77-90]
- "Dramatis Personæ," [135-150], [194]
- Dubiety, [233]
- Eagle, The, [224]
- Earth's Immortalities, [80]
- Echetlos, [213], [214]
- Englishman in Italy, The, [25], [87]
- Epilogue to "Dramatic Idyls" (Second Series), [218]
- Epilogue to "Dramatis Personæ," [194]
- Epilogue to Pacchiarotto, [194], [195-196]
- Epilogue to The Two Poets of Croisic, [208]
- Epistle of Karshish, [104], [105], [109-111], [234]
- Eurydice and Orpheus, [145]
- Evelyn Hope, [63], [122]
- Face, A, [145]
- Family, The, [224]
- Fears and Scruples, [197]
- "Ferishtah's Fancies," [98], [223], [226]
- "Fifine at the Fair," [17], [111], [130], [177-182], [184]
- Filippo Baldinucci on the Privilege of Burial, [201]
- Flight of the Duchess, The, [88]
- Flower's Name, The, [80]
- Flute Music, with an Accompaniment, [233]
- Forgiveness, A, [199]
- Fra Lippo Lippi, [23], [27], [105], [107], [113]
- Garden Fancies, [80]
- Girl, A, [232]
- Glove, The, [87]
- Gold Hair: a Story of Pornic, [145]
- Grammarian's Funeral, A, [115]
- Guardian Angel, The, [23], [113]
- Halbert and Hob, [210]
- Heretic's Tragedy, The, [27], [115], [116-117], [143]
- Hervé Riel, [194], [200]
- Holy-Cross Day, [27], [115], [117]
- Home-Thoughts from Abroad, [77], [78]
- Home-Thoughts from the Sea, [78]
- House, [194], [197]
- How it strikes a Contemporary, [128]
- How they brought the Good News from Ghent to Aix, [77]
- Humility, [233], [236]
- "In A Balcony," [105], [132], [135]
- In a Gondola, [64]
- Inapprehensiveness, [233]
- In a Year, [130]
- Incident of the French Camp, [62]
- "Inn Album, The," [7], [22], [190], [193]
- Instans Tyrannus, [129]
- In Three Days, [130]
- Italian in England, The, [87]
- Ivàn Ivànovitch, [26], [210], [211-212]
- Ixion, [219-220]
- James Lee's Wife, [118], [136], [137]
- Jochanan Hakkadosh, [219]
- "Jocoseria," [218], [223]
- Johannes Agricola, [59]
- "King Victor and King Charles," [56-58], [66]
- Laboratory, The, [86]
- "La Saisiaz," [98], [204], [208]
- Last Ride Together, The, [81], [125], [130]
- Life in a Love, [130]
- Light Woman, A, [130]
- Likeness, A, [141]
- Lost Leader, The, [77], [78]
- Lost Mistress, The, [79], [130]
- Love among the Ruins, [120], [121]
- Love in a Life, [130]
- Lovers' Quarrel, A, [27], [121], [122]
- "Luria," [4], [91], [95-98], [211], [212]
- Magical Nature, [175], [197-198]
- Martin Relph, [209], [210], [211]
- Mary Wollstonecraft and Fuseli, [222]
- Master Hugues of Saxe-Gotha, [23], [24], [113], [114]
- May and Death, [145]
- Meeting at Night, [81], [82]
- Melon-Seller, The, [224]
- Memorabilia, [131]
- "Men and Women," [15], [58], [77], [85], [89], [91], [104], [132], [135], [141], [199], [232]
- Mesmerism, [129]
- Mihrab Shah, [224]
- Misconceptions, [130], [197]
- Mr Sludge, "The Medium," [27], [141], [144]
- Muckle-mouth Meg, [236]
- Muléykeh, [191], [215], [217]
- My Last Duchess, [59], [60], [61], [199], [233]
- My Star, [130]
- Nationality in Drinks, [78]
- Natural Magic, [197]
- Ned Bratts, [26], [27], [210], [212]
- Never the Time and the Place [222], [223]
- Now, [233]
- Numpholeptos, [198], [199]
- Old Pictures in Florence, [24], [113], [114]
- One Way of Love, [130], [131], [132]
- One Word More, [126]
- Pacchiarotto, [27], [88], [194], [195]
- "Pacchiarotto and Other Poems," [194], [201]
- Pambo, [222]
- Pan and Luna, [214]
- "Paracelsus," [6], [37], [41], [49], [59], [74], [118], [218], [229]
- "Parleyings with certain People," [226-230]
- Parting at Morning, [82]
- Patriot, The: an Old Story, [129]
- "Pauline," [33-36], [37], [49], [59], [118]
- Pearl, A, [232]
- Pheidippides, [212], [213]
- Pictor Ignotus, [23], [82], [83], [85]
- Pied Piper of Hamelin, The, [27], [65], [77]
- Pietro of Abano, [217]
- Pillar at Sebzevah, A, [225]
- "Pippa Passes," [52-56], [94], [132], [151]
- Pisgah-Sights, [197]
- Plot-Culture, [225]
- Poetics, [232]
- Pope and the Net, The, [236]
- Popularity, [131]
- Porphyria's Lover, [25], [59]
- Pretty Woman, A, [130]
- "Prince Hohenstiel-Schwangau," [17], [111], [173], [177], [184], [192]
- Prospice, [145], [148-150]
- Protus, [117]
- Rabbi Ben Ezra, [145], [147], [148]
- "Red-Cotton Night-Cap Country," [7], [182], [185], [190], [192]
- Rephan, [231]
- Respectability, [129]
- "Return of the Druses, The," [65], [69], [74]
- Reverie, [231]
- "Ring and the Book, The," [17], [20], [136], [150], [169], [173], [233]
- Rosny, [232]
- Rudel to the Lady of Tripoli, [63]
- St. Martin's Summer, [195]
- Saul, [89], [90]
- Serenade at the Villa, A, [25], [26], [124]
- Shah Abbas, [224]
- Shop, [194], [197]
- Sibrandus Schafnaburgensis, [27], [80]
- Solomon and Balkis, [220]
- Soliloquy of the divish Cloister, [27], [62], [129]
- "Sordello," [7], [17], [37], [42], [44], [52], [55], [59], [145], [229]
- "Soul's Tragedy, A," [27], [91], [95], [132]
- Speculative, [233], [235]
- Statue and the Bust, The, [127]
- "Strafford," [41], [44], [57], [132]
- Summum Bonum, [232], [235], [236]
- Sun, The, [224]
- Through the Metidja to Abd-el-Kadr, [62]
- Time's Revenges, [86]
- Toccata of Galuppi's, A, [23], [113], [114]
- Too Late, [136], [137], [138]
- 'Transcendentalism,' [128]
- Tray, [222]
- Twins, The, [130]
- Two Camels, [224]
- Two in the Campagna, [125]
- "Two Poets of Croisic, The," [206-208]
- Up at a Villa—Down in the City, [27], [130]
- Wanting Is—What? [222]
- Waring, [61], [62]
- Which, [234]
- White Witchcraft, [236]
- Woman's Last Word, A, [122], [124]
- Women and Roses, [130]
- Worst of It, The, [136], [137]
- Youth and Art, [139]
BY THE SAME WRITER
POEMS (COLLECTED EDITION IN TWO VOLUMES) 1902.