To the statesman or the politician the history of this period is an inexhaustible fund of instruction and interest, and to the general reader it is rendered more than usually attractive by the almost dramatic contrast of character among the principal actors in the scene. Francis seems to have been the representative of the expiring school of chivalry; Charles was not the representative, but the founder of the modern system of state policy: Henry was the representative of ostentation, violence, and selfishness, to be found in all ages.
We are absolved from the necessity of dilating on the state of the fine arts at this era of their glory, by referring the reader to the lives of the artists of the time scattered through our volumes. The life of Titian affords the most ample evidence of Charles’s personal taste, and feeling of painting; and his warm and generous friendship for that great artist is at once a proof of his discernment, and perhaps the most attractive feature in his character.
It is scarcely necessary to name Robertson as the modern historian of Charles, and his work is the best direction to original authorities. Sismondi may also be consulted.
[Charles V., from a picture by Vandyke.]
Engraved by W. Holl.
DES CARTES.
From the original Picture by Francis Hals
in the Gallery of the Louvre.
Under the Superintendance of the Society for the Diffusion of Useful Knowledge.
London. Published by Charles Knight, Ludgate Street.
DES CARTES.
The space which we can devote to this biography would be utterly insufficient to give the smallest account of the varied philosophical labours of its subject; still less to recount their consequences. We shall therefore confine ourselves almost entirely to his personal life; the more so, as the private history of Des Cartes is not so well known to the world in general, as is the history of the mathematician, the optician, the natural philosopher, the metaphysician, the anatomist, the musician, &c., to those who study these several sciences.