There was much more to the same purpose. But Mr. Fields, like several others who have written about Tennyson, may have over-emphasised the poet's "egotism." Tennyson was an absolutely honest man. He said what he thought. If another said that his work was "exquisite" or "superb", or this, or that, he would not affect a self-depreciation which he did not feel. That would have been dishonest. If the work were fine, he knew it and said so. If it were over-praised, he said that too. He was not imposed upon by flattery, and he hated that and detected it easily enough. The "violet" incident above has been quoted frequently. It is quoted here because Mr. Fields was mistaken about "the thick grass." That does not grow on the down. Besides the furze bushes, there is only close-cropped turf. If he walked through "thick grass" it may have been on the way to and from the down, perhaps, by the way of Maiden's Croft. And on the down the poet would have been in no peril through his short-sightedness. He was a countryman, and knew every inch of the way. A countryman can tell by the slope of the ground, by "the lie of the land" under his feet, whether or not the down is leading him astray. If he is sure-footed, far sight will not help him much in the dark. But Fields, although a kindly soul, was a publisher, and he might easily have felt "ridiculous" when kneeling at the feet of a poet.
A diligent antiquary lived at Freshwater in Tennyson's time. He lived in Easton Cottage, nearly opposite the road-end of Tennyson's Lane. His name was Robert Walker, and he was well advanced in age. When I knew him, in the nineties, he was very deaf, so that talking with him was tiresome. But he had interesting talk to give, even if he received none in return. He had been a dealer in antiques, I forget where, but I remember that he told me he had made and lost two fortunes, and was sheltering his last years under the shreds of the second. He told me, too, that he had been offered the curatorship of a well-known museum, but had declined, preferring retirement in Freshwater. I have a vague recollection of being shown the correspondence. But, at any rate, the old man promised to confer new fame on Freshwater by proving that it had very ancient fame, indeed, as a harbourage and stage in the overland route to the tin mines of Cornwall in the time of the Phoenicians!
His argument was something like this: In the obscure past there were Phoenicians. So much we grant. They conducted with the world at large, or with as much of it as was then known, a trade in tin. Strabo tells us so. Whence came their tin? From Cornwall. And how did they get to Cornwall? By the Isle of Wight, which seems a roundabout way, but was not so. The "ships" of the Phoenicians "were little more than open boats, partly decked, and liable to be swamped by the dash of the waves over their sides and prows. They were propelled by rowers, numbering from thirty to fifty; if wind served they stepped a single mast and hoisted a single sail." They avoided the heavy seas of the Bay of Biscay, and came by the rivers of France. Up from the Mediterranean they would proceed by the Rhone to where Lyons is now. There they would leave their vessels. From there overland to the Seine, where they had another fleet awaiting them. Then down the Seine to where Havre, or Barfleur, or Cherbourg stand now, and thence across the Channel to the Isle of Wight, the nearest front of barbarian England.
Freshwater was then an island. It is almost an island now. The little tidal river, Yar, rises within a few yards of the Channel and flows north, to the Solent. In those days there was probably no beach at Freshwater Bay; the present beach was formed after modern man had constructed a causeway there. In those days the waters of the Channel flowed into the Yar, making a shallow estuary sufficient for an anchorage, where the Phoenician craft could lie while their adventurous crews were following the Cornish trail, a feat easily performed, because, in those days, the Isle of Wight was doubtless joined to the mainland at Hurst Castle. If it were not it should have been, in order to add interest to the story.
About the beginning of the eighteen-nineties workmen were widening and lowering the road which skirts Farringford and the Briary, and gives an entrance to the rear of Weston Manor. They dug so closely into a Weston hedge that, in going below the subsoil of it, they discovered the remains of ancient structures containing pottery, ash, charcoal, lime, enamelled bricks, and so on. Walker declared the remains were Phoenician, and the site that of a crematorium and a pottery. He cited evidence which I have not space to record. Being an antiquary he turned on other antiquaries. He wrote a pamphlet. The Antiquary magazine took up the case and cited similar discoveries, undoubtedly Phoenician, in South Devon. Warm arguments for and against the Phoenician theory were thrown back and forth. And Freshwater laughed. It was sure, and is sure still, that the anti-Phoenicians had the best of it, and Neighbour Walker the worst of it. A neighbour would have the worst of it, of course. But Walker persuaded the Ward of the time (Granville) to preserve the discoveries and to erect above them two protecting domes of concrete. Walker, I think, had the best of it, for if he could not prove the remains to have been Phoenician, his adversaries could not prove them to have been anything else. The antiquary is dead, and the local cabmen point, with the scorn of their calling, to "Walker's Pups" in the hedgerow as you drive to Totland or Alum Bay.
Local prophets, here as elsewhere, may prophesy without excess of honour. Tennyson himself used to tell an anecdote which had the run of the village:
"There 's Farringford," said a cabman to a visiting "fare."
"Ah!" responded the latter, "a great man lives there."
"D' ye call him great?" retorted cabby. "He only keeps one man, and he don't sleep in the house!"
Just as I reach this point in this chapter, there comes to me, in Hampshire, the news of Lady Ritchie's death. This means the breaking of almost the last link of that old Island circle. And it means the vanishing from life of one of the sweetest and dearest old ladies I have ever known. She was Thackeray's eldest daughter.