They had brought her from the Louvre to the Tuileries by the balustraded terrace along the Seine.[4]
She was lodged in the Dôme—known to the old Parisians as the pavillon d'Horloge—and in the two wings of the adjoining buildings. At that time the Tuileries had not assumed the aspect of a great barrack. They wore a look of elegance and fantastic grace before they were remodelled and aligned by rule. At its four corners the Dôme bore four pretty little towers; on the side toward the garden was a projecting portico surmounted by a terrace enclosed by a gallery. On this terrace, in time, Mademoiselle and her ladies listened to many a serenade and looked down on many a riot.
The rest of the façade (as far as the pavillon de Flore) formed a succession of angles, now jutting forward, now receding, in conformations very pleasing to the eye. The opposite wing and the pavillon de Marsan had not been built. Close at hand lay an almost unbroken country. The rear of the palace looked out upon a parterre; beyond the parterre lay a chaos from which the Carrousel was not wholly delivered until the Second Empire. There stood the famous Hôtel de Rambouillet, close to the hotel of Madame de Chevreuse, confidential friend of Anne of Austria and interested enemy of Richelieu. There were other hotels, entangled with churches, with a hospital, a "Court of Miracles," gardens, and wild lands overgrown with weeds and grasses. There were shops and stables; and away at the far end of the settlement stood the Louvre, closing the perspective.
THE TUILERIES FROM THE SEINE IN THE 16TH CENTURY
FROM A CONTEMPORARY PRINT
The Court and the city crowded together around the Bird House and the Swans' Pond, in the Dedalus and before the Echo, ogling or criticising one another. At that time the Place de la Concorde was a great, green field, called the Rabbit Warren. In one part of the field stood the King's kennels.[5] The city's limits separated the Champs-Élysées from the wild lands running down to the Seine at the point where the Pont de la Concorde now stands. This space, enclosed by the boundaries of the city, assured to the Court a park-like retreat in the green fields of the open country. The enclosure was entered by the gate of the Conférence. The celebrated "Garden of Renard" was associated with Mademoiselle's first memories. It had been taken from that part of La Garenne which lay between the gate of the Conférence[6] and the Garden of the Tuileries. Renard had been valet-de-chambre to a noble house. He was witty, pliable, complaisant to the wishes or the fancied needs of his employers, amiable, and of "easy, accommodating manners"[7]; in short, he was a precursor of the Scapins and the Mascarelles of Molière. Mazarin found pleasure and profit in talking with him. Renard's garden was a bower of delights. It was the preferred trysting-place of the lordlings of the Court, and the scene of all things gallant in that gallant day.
The fair ladies of the Court frequented the place; so did the crowned queens; and there many an amorous knot was tied, and many a plot laid for the fall of many a minister.
There the men of the day gave dinners, and rolled under the table at dessert; and in the bosky glades of the garden the ladies offered their collations. There were balls, comedies, concerts, and serenades in the groves, and all the gay world met there to hear the news and to discuss it. Renard was the man of the hour, no one could live without him.