The clairvoyant counselled new-comers to go to the good Saint Denis, always a succour for women unhappy in their domestic life, and to the indefatigable Saint Antoine de Padua. She reserved until later the giving of certain powders, only hinting at their existence, the secret of which had been brought from Italy and which were sought at Paris by both provincials and strangers.

It is now known through contemporaneous documents that arsenic was an element in these powders, and that so many persons accused themselves in confession of having "poisoned some one" that the priests of Nôtre-Dame at length gave warning to the authorities (1673). Did the penitents, especially the women, always speak the truth? Popular imagination is so quickly fired when poisoning is suggested, that it may well be queried whether a portion of the unfortunates were not rather hysterical and victims of hallucinations. It is probable that the true answer will never be known. Physicians at that time were the doctors of Molière, and the science of chemistry did not exist.

With the husband softened or suppressed, the women demanded love to replace emotion in their contracted and faded existence. The task of the necromancer thus consisted in interesting God or the devil in the heart pangs of her client and of arousing an affection in the breast of the man she designated. This was the beginning for the new clients; the end was the black mass with its obscene rites or the bloody mass, for which a small infant was strangled.

All the forms of conjuration were used between the two, every charm, every talisman and many "kinds of powders," not always inoffensive. The consultations were paid for according to the rank or fortune of the clients. In default of money, a jewel was given or even a signed note, the imprudence of which last proceeding it is hardly needful to point out.

In the year of the death of Anne of Austria, one of the clairvoyants most frequented was the wife of a hosier named Antoine Montvoisin, whose shop was situated upon the Pont Marie, which to-day still unites the right bank of the Seine with the isle Saint-Louis. The Pont Marie, as almost all the bridges of Paris at that date, had a double row of houses, with shops beneath, which formed a very animated street. The affairs of Montvoisin, however, had not prospered. He had tried several commercial undertakings without success. He had been dry-goods merchant and jeweller, and had always "lost his shops," according to the expression of his wife, Catherine Montvoisin, familiarly called "the neighbour."

LA VOISIN
From a print in the Bibliothèque Nationale