The work is a scientific one, rigidly restricted to its direct object; and by its science it must stand or fall. Its aim is, probably, not to deny creative intervention in Nature—for the admission of the independent origination of certain types does away with all antecedent improbability of as much intervention as may be required—but to maintain that Natural Selection, in explaining the facts, explains also many classes of facts which thousand-fold repeated independent acts of creation do not explain, but leave more mysterious than ever. How far the author has succeeded, the scientific world will in due time be able to pronounce.
As these sheets are passing through the press, a copy of the second edition has reached us. We notice with pleasure the insertion of an additional motto on the reverse of the title page, directly claiming the theistic view which we have vindicated for the doctrine. Indeed, these pertinent words of the eminently wise Bishop Butler comprise, in their simplest expression, the whole substance of our later pages:
"The only distinct meaning of the word 'natural' is stated, fixed, or settled; since what is natural as much requires and presupposes an intelligent mind to render it so, i.e., to effect it continually or at stated times, as what is supernatural or miraculous does to effect it for once."
II
DESIGN VERSUS NECESSITY
DISCUSSION BETWEEN TWO READERS OF DARWIN'S TREATISE ON THE ORIGIN OF SPECIES, UPON ITS NATURAL THEOLOGY
(American Journal of Science and Arts, September, 1860)
D.T.—Is Darwin's theory atheistic or pantheistic? or, does it tend to atheism or pantheism? Before attempting any solution of this question, permit me to say a few words tending to obtain a definite conception of necessity and design, as the sources from which events may originate, each independent of the other; and we shall, perhaps, best attain a clear understanding of each, by the illustration of an example in which simple human designers act upon the physical powers of common matter.
Suppose, then, a square billiard-table to be placed with its corners directed to the four cardinal points. Suppose a player, standing at the north corner, to strike a red ball directly to the south, his design being to lodge the ball in the south pocket; which design, if not interfered with, must, of course be accomplished. Then suppose another player, standing at the east corner, to direct a white ball to the west corner. This design also, if not interfered with, must be accomplished. Next suppose both players to strike their balls at the same instant, with like forces, in the directions before given. In this case the balls would not pass as before, namely, the red ball to the south, and the white ball to the west, but they must both meet and strike each other in the centre of the table, and, being perfectly elastic, the red ball must pass to the west pocket, and the white ball to the south pocket. We may suppose that the players acted wholly without concert with each other, indeed, they may be ignorant of each other' s design, or even of each other's existence; still we know that the events must happen as herein described. Now, the first half of the course of these two balls is from an impulse, or proceeds from a power, acting from design. Each player has the design of driving his ball across the table in a diagonal line to accomplish its lodgment at the opposite corner of the table. Neither designed that his ball should be deflected from that course and pass to another corner of the table. The direction of this second part of the motion must be referred entirely to necessity, which directly interferes with the purpose of him who designed the rectilinear direction. We are not, in this case, to go back to find design in the creation of the powers or laws of inertia and elasticity, after the order of which the deflection, at the instant of collision, necessarily takes place. We know that these powers were inherent in the balls, and were not created to answer this special deflection. We are required, by the hypothesis, to confine attention in point of time, from the instant preceding the impact of the balls, to the time of their arrival at the opposite corners of the table. The cues aremoved by design. The impacts are acts from design. The first half of the motion of each ball is under the direction of design. We mean by this the particular design of each player. But, at the instant of the collision of the balls upon each other, direction from design ceases, and the balls no longer obey the particular designs of the players, the ends or purposes intended by them are not accomplished, but frustrated, by necessity, or by the necessary action of the powers of inertia and elasticity, which are inherent in matter, and are not made by any design of a Creator for this special action, or to serve this special purpose, but would have existed in the materials of which the balls were made, although the players had never been born.
I have thus stated, by a simple example in physical action, what is meant by design and what by necessity; and that the latter may exist without any dependence upon the former. If I have given the statement with what may be thought, by some, unnecessary prolixity, I have only to say that I have found many minds to have a great difficulty in conceiving of necessity as acting altogether independent of design.