The distinction made by this anonymous writer is convenient and useful, and his statement clear. We propose to adopt this use of the terms purpose and design, and to examine the allegation. The latter comes to this: "Processes of natural selection" exclude "the agency of an intelligence in which the image or idea of the end precedes the use of the means;" and since the former have been understood "purpose has ceased to suggest design to instructed people, except in cases where the agency of man is independently probable." The maxim "L'homme propose, Dieu dispose," under this reading means that the former has the monopoly of design, while the latter accomplishes without designing. Man's works alone suggest design.
But it is clear to us that this monopoly is shared with certain beings of inferior grade. Granting that quite possibly the capture of flies for food by Dionaea and the sundews may be attributed to purpose apart from design (if it be practicable in the last resort to maintain this now convenient distinction), still their capture by a spider's-web, and by a swallow on the wing, can hardly "cease to suggest design to instructed people." And surely, in coming at his master's call, the dog fulfills his own design as well as that of his master; and so of other actions and constructions of brute animals.
Without doubt so acute a writer has a clear and sensible meaning; so we conclude that he regards brutes as automata, and was thinking of design as coextensive merely with general conceptions. Not concerning ourselves with the difficulty he may have in drawing a line between the simpler judgments and affections of man and those of the highest-endowed brutes, we subserve our immediate ends by remarking that the automatic theory would seem to be one which can least of all dispense with design, since, either in the literal or current sense of the word, undesigned automatism is, as near as may be, a contradiction in terms. As the automaton man constructs manifests the designs of its maker and mover, so the more efficient automata which man did not construct would not legitimately suggest less than human intelligence. And so all adaptations in the animal and vegetable world which irresistibly suggest purpose (in the sense now accepted) would also suggest design, and, under the law of parsimony, claim to be thus interpreted, unless some other hypothesis will better account for the facts. We will consider, presently, if any other does so.
We here claim only that some beings other than men design, and that the adaptations of means to ends in the structure of animals and plants, in so far as they carry the marks of purpose, carry also the implication of having been designed. Also, that the idea or hypothesis of a designing mind, as the author of Nature—however we came by it—having possession of the field, and being one which man, himself a designer, seemingly must needs form, cannot be rivaled except by some other equally adequate for explanation, or displaced except by showing the illegitimacy of the inference. As to the latter, is the common apprehension and sense of mankind in this regard well grounded? Can we rightly reason from our own intelligence and powers to a higher or a supreme intelligence ordering and shaping the system of Nature?
A very able and ingenious writer upon "The Evidences of Design in Nature," in the Westminster Review for July, 1875, maintains the negative. His article may be taken as the argument in support of the position assumed by "P.C.W.," in the Contemporary Review above cited. It opens with the admission that the orthodox view is the most simple and apparently convincing, has had for centuries the unhesitating assent of an immense majority of thinkers, and that the latest master-writer upon the subject disposed to reject it, namely, Mill, comes to the conclusion that, "in the present state of our knowledge, the adaptations in Nature afford a large balance of probability in favor of creation by intelligence." It proceeds to attack not so much the evidence in favor of design as the foundation upon which the whole doctrine rests, and closes with the prediction that sooner or later the superstructure must fall. And, truly, if his reasonings are legitimate, and his conclusions just, "Science has laid the axe to the tree."
"Given a set of marks which we look upon in human productions as unfailing indications of design," he asks, "is not the inference equally legitimate when we recognize these marks in Nature? To gaze on such a universe as this, to feel our hearts exult within us in the fullness of existence, and to offer in explanation of such beneficent provision no other word but Chance, seems as unthankful and iniquitous as it seems absurd. Chance produces nothing in the human sphere; nothing, at least, that can be relied upon for good. Design alone engenders harmony, consistency; and Chance not only never is the parent, but is constantly the enemy of these. How, then, can we suppose Chance to be the author of a system in which everything is as regular as clockwork? . . . The hypothesis of Chance is inadmissible."
There is, then, in Nature, an order; and, in "P.C.W.'s" sense of the word, a manifest purpose. Some sort of conception as to the cause of it is inevitable, that of design first and foremost. "Why"—the Westminster Reviewer repeats the question—"why, if the marks of utility and adaptation are conclusive in the works of man, should they not be considered equally conclusive in the works of Nature?" His answer appears to us more ingenious than sound. Because, referring to Paley's watch,—
"The watch-finder is not guided solely in his inference by marks of adaptation and utility; he would recognize design in half a watch, in a mere fragment of a watch, just as surely as in a whole time-keeper . . . Two cog-wheels, grasping each other, will be thought conclusive evidence of design, quite independently of any use attaching to them. And the inference, indeed, is perfectly correct; only it is an inference, not from a mark of design, properly so called, but from a mark of human workmanship . . . No more is needed for the watch-finder, since all the works of man are, at the same time, products of design; but a great deal more is requisite for us, who are called upon by Paley to recognize design in works in which this stamp, this label of human workmanship, is wanting. The mental operation required in the one case is radically different from that performed in the other; there is no parallel, and Paley's demonstration is totally irrelevant."[XIII-2] But, surely, all human doings are not "products of design;" many are contingent or accidental. And why not suppose that the finder of the watch, or of the watch-wheel, infers both design and human workmanship? The two are mutually exclusive only on the supposition that man alone is a designer, which is simply begging the question in discussion. If the watch-finder's attention had been arrested by a different object, such as a spider's web, he would have inferred both design and non-human workmanship. Of some objects he might be uncertain whether they were of human origin or not, with-out ever doubting they were designed, while of others this might remain doubtful. Nor is man's recognition of human workmanship, or of any other, dependent upon his comprehending how it was done, or what particular ends it subserves. Such considerations make it clear that "the label of human workmanship" is not the generic stamp from which man infers design. It seems equally clear that "the mental operation required in the one case" is not so radically or materially "different from that performed in the other" as this writer would have us suppose. The judgment respecting a spider's web, or a trap-door spider's dwelling, would be the very same in this regard if it preceded, as it occasionally might, all knowledge of whether the object met with were of human or animal origin. A dam across a stream, and the appearance of the stumps of trees which entered into its formation, would suggest design quite irrespective of and antecedent to the considerable knowledge or experience which would enable the beholder to decide whether this was the work of men or of beavers. Why, then, should the judgment that any particular structure is a designed work be thought illegitimate when attributed to a higher instead of a lower intelligence than that of man? It might, indeed, be so if the supposed observer had no conception of a power and intelligence superior to his own. But it would then be more than "irrelevant;" it would be impossible, except on the supposition that the phenomena would of themselves give rise to such an inference. That it is now possible to make the inference, and, indeed, hardly possible not to make it, is sufficient warrant of its relevancy.
It may, of course, be rejoined that, if this important factor is given, the inference yields no independent argument of a divine creator; and it may also be reasonably urged that the difference between things that are made under our observation and comprehension, and things that grow, but have originated beyond our comprehension, is too wide for a sure inference from the one to the other. But the present question involves neither of these. It is simply whether the argument for design from adaptations in Nature is relevant, not whether it is independent or sure. It is conceded that the argument is analogical, and the parallel incomplete. But the gist is in the points that are parallel or similar. Pulleys, valves, and suchlike elaborate mechanical adaptations, cannot differ greatly in meaning, wherever met with.
The opposing argument is repeated and passed in another form: